Artists

Robert Morris

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Biography

Born:  Kansas City, MO, 1931

ONE-MAN EXHIBITIONS

2013Robert Morris: Hanging Soft and Standing Hard, Sprüth Magers Gallery, London; May 3 – June 15
2012Robert Morris, Sprüth Magers Gallery, Berlin; February 10 – April 4
Robert Morris: Labyrinths, Sonnabend Gallery, NY; March 24- April 21
Robert Morris: Ten Works, Five Decades, Castelli Gallery, NY; May 1 – June 22
2011Robert Morris: Drawing as Thinking, Institut Valencia d’Art Modern, Valencia, Spain;
September 8 – January 8, 2012
Robert Morris, Juergen Becker Galerie, Hamburg, Germany; Sep 2-17 Dec
2010“Robert Morris: Untitled (Scatter Piece), 1968-69”, Leo Castelli Gallery, NY; Feb 26 – May 15
Felt Pieces, Blind Time Drawings and Two Films; Sonnabend Gallery, April 24 – July
Robert Morris: Blind Time (Grief), Sprüth Magers Gallery, Berlin, April 8 – May 28
2009Robert Morris: Bodymotionspacethings, Tate Modern (Turbine Hall), London; May 22 – June 14
Films by Robert Morris, Hunter College/Times Square Gallery; Oct 8 – Nov 21, 2009
Notes on Sculpture: Objects, Installations, Films, Museum Abteiberg, Mönchengladbach,
Germany ; Nov 29 – May 30, 2010; Muzeum Sztuki, Łódź, Poland; June 10 – Nov 24, 2010
2008Robert Morris: Morning Star Evening Star, Sprüth Magers Gallery, London; June 27 – August 29
2006Waxing Time, Waning Light: New Paintings, The Leo Castelli Gallery, Nov 3 – Dec 22
2005Robert Morris: Early Sculpture, Sprüth Magers Lee, London; June 21 – July 30
Robert Morris: Blind Time Drawings, 1973-2000, Centro per l’Arte Contemporanea Luigi Pecci, Prato, Feb 26 – May 29
Small Fires and Mnemonic Nights, The Leo Castelli Gallery, Jan 28 – Mar 19
Robert Morris: Less Than, Reggio Emilia, Chiostri di San Domenico, from Feb 19
2003Robert Morris: Blind Time Drawings, Haim Chanin Fine Arts, NY; Sept 12 – Nov 1
The Lemma Leads, The Leo Castelli Gallery, Feb 18 – March 29
2002Crisis and War and Memory and Dancing and other Drawings, The Leo Castelli Gallery, 59 East 79th Street, February 22 – April 4, 2002
2000“Robert Morris: A Retrospective”, IVAM Museum of Contemporary Art, Valencia, Spain
“Robert Morris: Selected Drawings”, Dorskey Museum of Art, New Paltz, New York
“Robert Morris”, Le Musee d’art contemporain, Lyon, France
“Robert Morris: Early Felts”, Leo Castelli Gallery, New York
Permanent installation of 17 stained glass windows, Maguelone Cathedral, France
“Labyrinth”, permanent installation in granite, Pontevedra, Spain
1999“Labyrinth”, Le Musee d’art contemporain, Lyon, France
“Retrospective of Prints and Multiples 1952-1998”, Maison Levanneur, Chatou, France
1998“Robert Morris: The Rationed Years and Other New Work”, Leo Castelli Gallery, New York
“Mirror Works ” and “Mirror, 1969” film, Le Musee d’art contemporain, France
“Retrospective of Prints and Multiples 1952-1998”, Cabinet des estampes du Musee d’art et d’histoire, Geneva, Switzerland
Pietro Sparta Gallery, Chagny, France
1997“Horizons Cut: Between Clio and Mnemosyne”, Leo Castelli  Gallery, New York, NY
“Robert Morris: Recent Felt Pieces and Drawings”, Henry Moore Institute, Leeds, England
“Tar Babies of the New World Order”, Nuova Icona, Venice, Italy
“Robert Morris”, Pietro Sparta, Chagny, France
“Robert Morris”, Akira Ikeda Gallery, Osaka, Japan
1996“Robert Morris”, Galerie Philomene Magers, Cologne, Germany
“Robert Morris”, Lieu D’Art Contemporain, France
1995Leo Castelli Gallery, New York, NY
“Steam”, CAPC, Musee d’Art Contemporain, Bordeaux, France
“Robert Morris,” Centre Georges Pompidou, Paris, France
1994“Robert Morris:  The Mind/Body Problem”, The Guggenheim Museum, NY
1993Akira Ikeda Gallery, Taura
Leo Castelli Gallery & 65 Thompson Street, NY
1992Galerie Samuel Lallouz, Montreal
Sonnabend Gallery, NY
1991“Robert Morris”, 65 Thompson Street and Sonnabend Gallery, New York, NY
“Masterworks of Contemporary Sculpture, Painting and Drawing:  The 1930’s to the 1990’s”, Bellas Artes, Santa Fe, NM
“Robert Morris: The I-Beam Suite”, Margo Leavin Gallery, Los Angeles, CA
“Robert Morris: Prospectives on the Permanent Collection ” Virginia Museum of Fine Arts, Richmond, Virginia
1990Leo Castelli Gallery, New York, NY
“Inability to Endure or Deny the World:  Representation and Text in the Work of Robert Morris”, The Corcoran Gallery of Art, Washington, DC
“Robert Morris Sculptures 1962-1984”, Runkel – Hue – Williams Gallery, London
“Robert Morris:  Feutres et Dessins, 1964-1984″, JGM Galerie, Paris
“Robert Morris Sculptures 1964-1984”, Lang & O’Hara Gallery, New York, NY
1989“Robert Morris: The Felt Works, Grey Art Gallery, New York University, New York, NY
1988“Robert Morris:  Selected Work 1961-1988”, Margo Leavin Gallery, Los Angeles, CA
“Robert Morris”, Leo Castelli Gallery, 142 Greene Street, New York, NY
“Robert Morris”, Sonnabend Gallery, New York, NY
“Robert Morris:  Oeuvres Recentes“, Galerie Daniel Templon, Paris
“Robert Morris:  The I-Beam Piece”, Galerie Daniel Templon, Paris
1986“Felts 1973-1976”, Galerie Daniel Templon, Paris
“Robert Morris:  Works of the Eighties”, Museum of Contemporary Art, Chicago, IL
1985“Robert Morris”, Sonnabend Gallery, New York, NY
“Robert Morris:  Works from 1967-1984”, Leo Castelli Gallery, 142 Greene Street, New York, NY
1984“Robert Morris Drawings”, Malmo Konsthall, Malmo, Sweden (organized by Williams College Museum of Art)
“Robert Morris:  Recent Felt Pieces”, Galerie Nordenhake, Malmo, Sweden
“Robert Morris Installation”, Malmo Konsthall, Malmo, Sweden
“Robert Morris:  Selected Works 1970-1980”, Contemporary Art Museum, Houston TX
“The Drawings of Robert Morris”, Padiglione d’Arte Contemporanea, Milan
“Robert Morris:  Drawings, Firestorm & Psychomachia“, Portland Center for the Visual Arts, Portland, OR
1983“Psychomachia:  Drawings”, Leo Castelli Gallery, New York, NY
“Hypnerotomachia:  Reliefs & Firestorm: Drawings”, Sonnabend Gallery, New York, NY
“Psychomachia Drawings”, Krannert Art Museum, University of Illinois, Champaign, IL
Galerie Daniel Templon, Paris
“Robert Morris:  Tekeningen 1956-1983”, Rijksmuseum, Amsterdam, The Netherlands
1982“The Drawings of Robert Morris”, The Sterling and Francine Clark Art Institute (organized by Williams College Museum of Art);  Institute of Contemporary Art, Boston, MA;  Seattle Art Museum, Seattle, WA;  Laguna Gloria Art Museum, Austin, TX;  Grand Rapids Art Museum, Grand Rapids, MI
1981“Robert Morris:  Selected Works 1970-1981”, Contemporary Arts Museum, Houston, TX
1980Waddington Galleries II, London
“Robert Morris:  Major Sculpture, Drawings and New Felt Pieces”, Richard Hines Gallery, Seattle, WA
“Robert Morris:  First Study for View From a Corner of Orion (Night) and Second Study for View From A Corner of Orion (Day)”, Leo Castelli Gallery, 142 Greene Street, New York, NY
The Art Institute of Chicago, Chicago, IL
1979“Six Mirror Works”, Leo Castelli Gallery, New York, NY
“In the Realm of the Carceral”, Ileana Sonnabend Gallery, New York, NY
“Robert Morris:  Mirror Works and Drawings”, Wright State University, Dayton, OH
1978Galleria Civica d’Arte Moderna, Ferrara, Italy
1977The Louisiana Museum of Modern Art, Humlebaek, Denmark
Williams College, Amherst, MA
James Corcoran Gallery, Los Angeles, CA
Stedelijk Museum, Amsterdam, The Netherlands
“Observatory” (reconstruction and permanent installation),Oostelijk, Flevoland, The Netherlands
“Blind Time”, Galerie Art in Progress, Dusseldorf, Germany
Galerie Ileana Sonnabend, Paris
1976Leo Castelli Gallery, New York, NY
Sonnabend Gallery, New York, NY
Leo Castelli, New York, NY
1975Galleria D’Alessandro-Ferranti, Rome
1974Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Sonnabend Gallery, New York, NY
Leo Castelli Gallery, New York, NY
Galerie Art in Progress, Munich, Germany
Alessandra Castelli Gallery, Milan, Italy
Grand Rapids Project, Belknap Park, Grand Rapids, MI
1973Galerie Ileana Sonnabend, Paris
Galerie Konrad Fischer, Dusseldorf, Germany
Max Protetch Gallery, Washington, DC
Galleria Forma, Genova, Italy
Lucio Amelio Modern Art Agency, Naples, Italy
Ace Gallery – Canada, Vancouver, British Columbia, Canada
Ace Gallery – Venice, Venice, CA
1972Leo Castelli Gallery, New York, NY
1971The Tate Gallery, London
Galerie Ileana Sonnabend, Paris
1970The Detroit Institute of Arts, Detroit, MI
Irving Blum Gallery, Los Angeles, CA
Leo Castelli Graphics, New York, NY
Whitney Museum of American Art, New York, NY
1969Leo Castelli Gallery, New York, NY
Galleria Gian Enzo Sperone, Turin, Italy
Irving Blum Gallery, Los Angeles, CA
The Corcoran Gallery of Art, Washington, DC
1968Stedelijk van Abbemuseum, Eindhoven, The Netherlands
Galerie Ileana Sonnabend, Paris
“Felt Pieces”, Galerie Ileana Sonnabend, Paris
Leo Castelli Gallery, New York, NY
1967Leo Castelli Gallery, New York, NY
1966Dwan Gallery, Los Angeles, CA
1965Green Gallery, New York, NY
1964Galerie Schmela, Dusseldorf, Germany
Green Gallery, New York, NY
1963Green Gallery, New York, NY
1958Dilexi Gallery, San Francisco, CA
1957Dilexi Gallery, San Francisco, CA

GROUP EXHIBITIONS

2013Castelli Gallery, NY; June 17 – August 2
2012GRID: Works on Paper from the 1960s; Castelli Gallery, NY; January 10 – February 25
Side by Side; Castelli Gallery, NY November 27 – January 18
2011Kunst-Stoff: Textilien in der Kunst seit 1960; Stadtische Galerie, Karlsruhe, Germany;
Nov 12 2011 – Feb 12 2012
Selections: Morris, Trockel, Holzer and Pink; Sprüth Magers Gallery, Berlin, April 8 –
May 28
The Parallax View, Lehmann Maupin Gallery, NY; Feb 10- Mar 19
2010Choreographing You, Hayward Gallery, London, Oct 13 2010 – Jan 9, 2011
Off the Wall: Part 1, Thirty Performative Actions, Whitney Museum of American Art, NY, July 1 – Sept 19
Collection Biennials, Whitney Museum of American Art, NY, Jan 16 – Nov 28
See this Sound: Versprechungen von Bild und Ton, Lentos Kunstmuseum, Linz; Aug 28- Jan 10
2009Lynda Benglis / Robert Morris: 1973-1974, Susan Inglett Gallery, NY; June 18 – July 31
Chance Aesthetics,Mildred Kemper Art Museum, St. Louis, MO; Sep 18 2009 – Jan 4 2010
Vraoum! Tresors de la bande dessinee et art contemporaine, La maison rouge, Paris; May 28-Sep 27
Unbuilt Roads, e-flux, New York; Apr 11-May 16
1968: The Great Innocence, Kunsthalle Bielefeld, Germany; Mar 15-Aug 2
Sites, Whitney Museum of American Art, Feb 19 – May 3
Dog Star Man, Galerie Nordenhake, Berlin, Jan 31-Feb 28
2008Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography, New York; Jan 18 – May 4
20 ans du Musee d’Art Moderne, Musee d’Art Modern de St. Etienne Metropole, France, Dec 8- Jan 20
A Changing Ratio: Painting and Sculpture from the Collection, Museum of Contemporary Art, Los Angeles, Ca; Dec 7 – Mar 22
Heavy Metal: Die unerklarbare Leichtigkeit des Materials, Kunsthalle Kiel, Germany; Dec 7 – Mar 22
Selections from the Collection of Helga and Walther Lauffs, David Zwirner, NY; Nov 5- Dec 20
Busan Biennial 2008, Busan; Sep 6 – Nov 15
Peripherer Blick und kollektiver Korper, Museion Bozen; May 24 – Sep 21
2007War and Discontent, Museum of Fine Arts Boston, April 10 – August 5
Role Exchange,  Sean Kelly Gallery, New York; June 29 – August 3
2004Visions of America: Contemporary Art from the Essl Collection and the Sonnabend
Collection, New York
; Sammlung Essl, Klosterneuberg/Vienna; October 2004 – March 2005
Forme per il David, Firenze, Galleria dell’Accademia, Nov 29 – Sept 4
2003Historia y Naturaleza, La Coleccio Gori, Valence, IVAM (Institut Valencia d’Art Modern), Fattoria di Celle, Jan 16 – May 4
2002From Pop to Now. Selections from the Sonnabend Collection, Tang Teaching Museum and Art  Gallery at Skidmore College
Contunuita, Magnete, Presenze artistiche straniere in Toscana nella seconda meta del XX Secolo, Fattoria di Celle, Santomato Pistoia, Italy June 3 – Sept 30
2001Saying Seeing 4 from the sixties, Leo Castelli Gallery, 59 East 79th Street
Into the Light: The Projected Image in American Art 1964-1977, Whitney Museum of American Art, NY, Oct 18 – Jan 27
1999Arcadia in Celle: The Gori Collection, Kamakura, Museum of Modern Art, Contemporary Art
Museum of Sapporo and Kirishima, traveling exhibition, Feb through Dec
1996Hunter College Art Department Faculty Exhibition, Art Gallery in the Hunter College Fine Arts Building
Omaggio a Leo Castelli, Da Rauschenberg a Warhol, da Flavin a Judd, negli anni Sessanta, 20 artisti a New York, Civiche Raccolte d’Arte Padiglione d’Arte Contemporanea, Milan, Italy
1995“Attitudes/Sculptures, 1963-1972”, CAPC, Musee d’art Contemporain, Bordeaux, France
1994“Some Kind of Fact, Some Kind of Fiction”, Sperone Westwater Gallery, NY
“Minimal Art?” Hallen Fur Neue Kunst, Schaffhausen, Switzerland
“Location I”, Basilico Fine Arts, NY
Sonnabend Gallery, New York, NY
1993“Gravity and Grace:  The Changing Condition of Sculpture 1965-1975”, Hayward Gallery, London
“Tutte Le Strade Portano a Roma?”, Palazzo delle Esposizioni, Rome, Italy
“Out of Sight, Out of Mind”, Lisson Gallery, London
“Points of Art”, 45th Biennale of Venice, Italian Pavillion, Venice, Italy
“Fragments D’un Musee a Venir 4”, Musee d’Art Contemporain et Modern, Geneva, Switzerland
“Abject Art:  Repulsion and Desire in American Art”, Whitney Museum of American Art, NY
“La Biennale D’art Contemporain”, Lyons, France
“Un’Avventura Internazionale:  Torino e Le Arti 1950-1970”, Castello di Rivoli, Museo d’Arte Contemporanea, Torino
“Graphics”, Galerija Dante, Umag, Croatia
“American Art in the 20th Century:  Painting and Sculpture 1913-1993”, Martin-Gropius-Bau, Berlin; Royal Academy of Arts, London
“Action/Performance and the Photograph”, Turner/Knull Gallery, Los Angeles, CA
“Early Minimal Masterworks”, John Weber Gallery, NY
“Drawings:  30th Anniversary Exhibition”, Leo Castelli Gallery, NY
1992“American Art:  1930-1970”, Lingotto, Torino, Italy
Victoria Miro, London
“Quotations” The Aldrich Museum of Contemporary Art, Museum of Contemporary Art at State University, Dayton, OH
“Troubled Waters”, Rockland Center for the Arts, West Nyack, NY
1991“El Sueno de Egipto (La Influencia del Arte Egipcio en el Arte Contemporaneo)”, Centro Cultural, Arte Contemporaneo, A.C., Mexico City, Mexico
“La Sculpture et Son Dessin”, JGM Galerie, Paris
Galerie Nordenhake, Stoksholm, Sweden
“Group Exhibitions”, Paula Cooper Gallery, NY
“Minimal Tendencies”, Runkel Hue Williams, London
“Power:  Its Myths and Mores in American Art, 1961-1991”, Indianapolis Museum of Art, IN; Akron Art Museum, Akron, OH; Virginia Museum of Fine Arts, Richmond, VA
“A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection, Guild Hall Museum, East Hampton, New York
“The Transparent Thread: Asian Philosophy on Recent American Art”, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York
“The Political Arm”, John Weber Gallery, New York
“Abstract/Method”, Davis-McClain Gallery, Houston , Taxas
“The Independent Curators Incorporated 15th Anniversary Print Portfolio”, Castelli Graphics, New York, NY
“The Art of Advocacy”, The Aldrich Museum of Contemporary Art, Rigefield, Connecticut
“Prints”, Dorski Gallery, New York, NY
“Drawing for Sculptures: From Rodin to Robert Morris”, JGM Galerie, Paris, France
“Changing Sculpture Exhibition”, Margo Leavin Gallery, Los Angeles, CA
1990“It Must Give Pleasure:  Erotic Perceptions”, Vrej Baghoomiam Gallery, New York, NY
“The 60’s Revisited:  New Concepts/New Materials”, Leo Castelli Gallery, 578 Broadway, New York, NY
“Aquarian Artists”, University of Rhode Island, Kingston, RI
“Art Conceptuel, Formes Conceptuelles”, Galerie 1900-2000, Paris
“A Museum, A Foundation, (Collection of the Maeght Foundation), Musee d’Art Moderne de Saint Etienne, Saint Etienne, France
“Opening Exhibition”, Gallery Ronny Van de Velde, Antwerp, Belgium
“Committed to Print”, Newport Harbor Museum, Newport Beach, CA
“Two Decades of American Art:  The 60’s and 70’s”, Nassau County Museum of Art, Roslyn Harbor, NY
“American Masters of the 60’s:  Early and Late Works”, (curated by Sam Hunter), Tony Shafrazi Gallery, New York, NY
“Leo Castelli Post Pop Artists”, Nadia Bassanese Studio d’Arte, Trieste, Italy
“Beyond the Frame”, Rubin Spangle Gallery, New York, NY
“Feux Pales”, Musee d’Art Contemporain de Bordeaux (CAPC), Bordeaux, France
1989“Jannis Kounellis, Robert Morris, Robert Rauschenberg”, Sonnabend Gallery, New York, NY
“Minimal Art:  Works from the 1960’s”, Blum Helman Gallery, New York, NY
“Minimalism”, Nicola Jacobs Gallery, London
“The ‘Junk’ Asethetic:  Assemblage of the 1950’s and Early 1960’s”, Whitney Museum of American Art, New York, NY
“Works on Lead”, Nohra Haime Gallery, New York, NY
“Group Show”, Tony Shafrazi Gallery, New York, NY
“A Decade of American Painting, 1980-89”, Daniel Weinberg Gallery, Los Angeles, CA
“Minimalism”, The Tate Gallery, London
“The Junk Aesthetic:  Assemblage of the 1950’s and Early 1960’s”, Whitney Museum of American Art, Fairfield County, Stamford, CT
“Repetition”, Hirschl and Adler Modern, New York, NY
“From the Collection of Dorothy and Herbert Vogel”, The Art Museum of Florida International University, Miami, FL
“Lead & Wax”, Stephen Wirtz Gallery, San Francisco CA
1988“Lead”, Hirschl & Adler Modern, New York, NY
“Marcel Duchamp und die Avantgarde seit 1950”, Museum Ludwig, Cologne, Germany
“Committed to Print”, Museum of Modern Art, New York, NY
“’60’s and ’80’s:  Sculpture Parallels”, Sidney Janis Gallery, New York, NY
“Leo Castelli:  A Tribute Exhibition”, The Butler Institute of American Art, Youngstown OH
“A Contemporary Drawing Celebration:  Exploring the Foundation of Sculpture”, Zolla/Lieberman Gallery, Chicago, IL
“In Honor of Toiny Castelli:  Drawings for the Toiny, Leo and Jean-Christophe Castelli Collection”, The Museum of Modern Art, New York, NY
“Visions/Revisions:  Contemporary Representations”, The Marlborough Gallery, New York, NY
“1988:  The World of Art Today”, Milwaukee Museum of Art, Milwaukee, WS
“Castelli Graphics 1969-1988:  An Exhibition of Selected Works in Honor of Toiny Castelli”, Leo Castelli Graphics, New York, NY
“The Sonnabend Collection”, Centro de Arte Reina Sofia, Madrid, Spain; CAPC, Musee d’Art Contemporain, Bordeaux, France;  Art Cologne, Cologne, Germany;  Hamburger Bahnhof, Berlin, Germany; Galleria Nazionale d’Arte Moderna, Rome; Museo d’Arte Moderna e Contemporanea, Trent, Italy; Musee Rath, Geneva; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art, Kyoto
“Art Conceptuel”, CAPC, Musee d’Art Contemporain, Bordeaux, France
The 25th Anniversary “Exhibition to Benefit the Foundation for Contemporary Performance Arts”, Leo Castelli Gallery; Brooke Alexander Gallery, NY
“Sculpture Since the Sixties” (From the Permanent Collection of the Whitney Museum of American Art at Equitable Center, New York, NY
“Arte Minimal:  Coleccion Panza”, Centro de Arte Reina Sofia, Madrid
“Identity:  Six Representations of the Self”, Whitney Museum of American Art, Downtown at Federal Plaza, New York, NY
“Sculptor’s Drawings”, John C. Stoller & Company, Minneapolis, MN
“New Visions of the Apocalypse”, Museum of Art, Rhode Island School of Design, Providence, RI
1987“The Great Drawing Show 1957 – 1987”, Michael Kohn Gallery, Los Angeles, CA
“Wrinkled”, Burnett Miller Gallery, Los Angeles, CA
Sculpture of the  Sixties, Margo Leavin Gallery, Los Angeles, CA
“Pop, Minimalism, and Earth Art:  The MCA’S Permanent Collection with Selected Loans”, The Museum of Contemporary Art, Chicago, IL
“Dessins”, Galerie Catherine Issert, Paris
“International Art Show for the End of World Hunger”, International Visitor’s Center, Washington, DC;  Minnesota Museum of Art, Saint Paul, MN;  Sonja Henie Museum, Oslo, Norway;  Kolnisher Kunstverein, Cologne, Germany;  La Grande Halle de la Villette, Paris
“Leo Castelli & His Artists:  30 Years of Promoting Contemporary Art, Centro Cultural Arte Contemporaneo, Mexico City, Mexico
“Collection Agnes and Frits Becht”, Centre Regional d’Art Contemporain, Midi-Pyrennees, France
“Works on Paper”, Galerie Bernd Kluser, Munich, Germany
“Hommage to Leo Castelli:  Dedicated to the Memory of Toiny Castelli”, Galerie Daniel Templon, Paris
“Undercurrents:  Rituals & Translations”, Grossman Gallery, School of the Museum of Fine Arts, Boston, MA
“Sculpture”, Galerie Lelong, New York, NY
1986“Directions 1986”, Hirshhorn Museum, Washington, DC
“An American Renaissance:  Painting and Sculpture Since 1940”, Museum of Art, Fort Lauderdale, FL
“Memento Mori”, Centro Cultural/Arte Contemporaneo, Fundacio Cultural Televia, A.C. Mexico;  Moore College of Art, Philadelphia, PA
“Definitive Statements:  American Art 1964 – 66”, Bell Gallery, Brown University, Providence, RI
“Summer Group Show”, Leo Castelli Gallery, New York, NY
“Estructuras Repititivas”, Fundacio Juan March, Madrid, Spain
“Surrealismo!”, Barbara Braathen Gallery, New York, NY
“75th American Exhibition”, The Art Institute of Chicago, Chicago, IL
Leo Castelli, Chicago International Art Expo, Chicago
1985“Art Minimal I”,  CAPC, Musee d’Art Contemporain, Bordeaux, France
“Minimal Art:  A Survey of Early and Recent Work”, John Weber Gallery, New York, NY
“Citywide Contemporary Sculpture Exhibition”, Toledo Museum of Art, Toledo, OH
“Beyond The Monument”, Whitney Museum of American Art, Fairfield County, Stamford, CT
“The Maximal Implications of the Minimal Line”, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY
“Selections From the William J. Hokin Collections”, Museum of Contemporary Art, Chicago, IL
“States of War:  New European & American Paintings”, Seattle Art Museum, Seattle, WA
“Large Scale Drawings by Sculptors”, Renaissance Society, University of Chicago, Chicago, IL
“New Dimensions”, Akron Art Museum, Akron, OH
“Group Exhibition”, Dracos Art Center, Athens, Greece
“A New Beginning 1968 – 1978”, The Hudson River Museum, Westchester, NY
“Picture Frame”, Gabrielle Bryers Gallery, New York, NY
“New Work on Paper 3”, Museum of Modern Art, New York, NY
“Affiliations:  Recent Sculpture and It’s Antecedents”, Whitney Museum of American Art, Fairfield County, Stamford, CT
“Charcoal Drawings 1980 – 1985, Janie C. Lee Gallery, Houston, TX
“Made in India”, Museum of Modern Art, New York, NY
“Drawings”, Knight Gallery, Spirit Square Arts Center, Charlotte, NC
1984“Large Drawings”, Zilkha Gallery, Wesleyan University, Middletown, CT
“The Shadow of the Bomb”, University Gallery, University of Massachusetts at Amherst, Amherst, MA; Mount Holyoke Art Museum, South Hadley, MA
“Ten Years of Collecting at the Museum of Contemporary Art”, Museum of Contemporary Art, Chicago, IL
“The Skowhegan Celebration Exhibition”, Hirschl & Adler Galleries, New York, NY
“ROSC ’84”, The Guiness Hop Store, Dublin, Dublin, Ireland
“Endgame:  Strategies of Postmodernist Performance”, Hunter College Art Gallery, New York, NY
“Via New York”, Musee d’Art Contemporain, Montreal, Quebec, Canada
“American Drawings”, Galerie Biedermann, Munich, Germany
“The Charles and Laura Dwan Collection”, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
“Dreams and Nightmares:  Utopian Visions in Modern Art, Hirshhorn Museum, Washington, DC
“Projects:  World’s Fairs, Waterfronts, Parks and Plazas”, Rhona Hoffman Gallery, Chicago, IL
“Citywide Contemporary Sculpture Exhibition”, The Toledo Museum of Art, Toledo, OH
“Drawings by Sculptors:  2 Decades of Non-Objective Art in the Seagram Collection”, The Montreal Museum of Fine Art, Montreal, Canada
“Content:  A Contemporary Focus, 1974 – 1984”, Hirshhorn Museum, Washington, DC
“1964-1984”, Donald Young Gallery, Chicago, IL
“Castelli at Art Center”, Art Center College of Design, Pasadena, CA
“The Sculptor as Draftsman”, The Visual Arts Gallery, Florida International Univeristy, Miami, FL
“New Drawings by Castelli Artists”, Leo Castelli Graphics, New York, NY
“Rediscovered Romanticism”, New Math Gallery, New York, NY
“Group Exhibition”, Sonnabend Gallery, New York, NY
“Blam!  The Explosion of Pop, Minimal and Performance 1958 – 1964”, The Whitney Museum of American Art, New York, NY
“American Sculpture”, Margo Leavin Gallery, Los Angeles, CA
“A Different Climate:  Aspects of Beauty in Contemporary Art”, Stadtische Kunsthalle, Dusseldorf, Germany
1983“1984 – A Preview”, Ronald Feldman Fine Arts, New York, NY
“Twentieth Century Sculpture;  Statements of Form”, Whitney Museum of American Art, Midtown Branch at Philip Morris, New York, NY
“Objects, Structures, Artifice:  American Sculpture 1970-82”, SVC/Fine Arts Gallery, University of South Florida, Tampa, FL
“Twentieth Century Sculpture:  Process and Presence”, Whitney Museum of American Art, New York, NY
“Objects, Structures, Artifice:  American Sculpture 1970-1982”, Center Gallery, Bucknell University, Lewisburg, PA
“Beyond the Monument”, Hayden Corridor Gallery, Masssachusetts Institute of Technology, Cambridge, MA
“Art for a Nuclear Weapons Freeze”, (traveling exhibition)
“Ironcast”, Pratt Institute Gallery, Brooklyn, New York
“Victims and Violations”, Contemporary Arts Center, New Orleans, LA
“Changes”, Aldrich Museum of Contemporary Art, Ridgefield, CT
“New Art”, Tate Gallery, London
“The End of the World:  Contemporary Views of the Apocalypse”, The New Museum, New York, NY
1982Tulane University, New Orleans, LA
“Antiform et Arte Povera, Sculptures 1966-69”, Centre d’Arts Plastiques Contemporains de Bordeaux, Bordeaux, France
The High Museum of Art, Atlanta, GA
“Postminimalism”, The Aldrich Museum, Ridgefield, CT
“Castelli and His Artists:  Twenty-Five Years” (organized by the Aspen Center for the Visual Arts), La Jolla Museum of Contemporary Art, La Jolla; Aspen Center for the Visual Arts, CO; Leo Castelli Gallery, New York, NY; Portland Center for the Visual Arts, OR; Laguna Gloria Art Museum, Austin, TX
“The Rebounding Surface”, Avery Center for the Visual Arts, The Bard College Center, Annandale-on-Hudson, NY
“Zeitgeist”, Martin Gropius Building, Berlin
“Minimalism X4”, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, NY
“In Our Time”, The Contemporary Arts Museum, Houston, TX
1981“Fabric in Art”, Fosdick-Nelson Gallery, State University of New York – Alfred College of Drawing, New York
“Painting and Sculpture by Candidates for Art Awards”, American Academy and Institute of Art and Letters, New York, NY
“Selections from Castelli:  Drawings and Works on Paper”, Neil G. Ousey Gallery, Los Angeles, CA
“Leo Castelli Selects for Gloria Luria Gallery”, Gloria Luria Gallery, Bay Harbour Islands, FL
“Working Drawings”, The Hunter College Gallery, New York, NY
“New Dimensions in Drawings”, Aldrich Museum of Contemporary Art, Ridgefield, CT
“Schemes:  A Decade of Installation Drawings”, Elise Meyer Gallery, New York, NY
“Internationale Ausstellung Koln 1981”, Cologne, Germany
“Soundings”, The Neuberger Museum, State University of New York at Purchase, Purchase, NY
“Varients:  Drawings by Contemporary Sculptors”, Sewall Art Gallery, TX
Art Museum of South Texas, Corpus Christi, TX
“Small Works from the Past 15 Years”, The New Gallery of Contemporary Art, Cleveland, OH
“A Tradition Established 1940-70”, Whitney Museum of American Art, Fairfield County Branch, Stamford, CT
“Metaphor:  New Projects by Contemporary Sculptors”, Hirshhorn Museum, Washington, DC
1980“Leo Castelli: A New Space”, Leo Castelli, 142 Greene Street, New York, NY
“Three Installations: Acconci, Morris, Oppenheim”, Sonnabend Gallery, New York, NY
“Hidden Desires”, Neuberger Museum, State University of New York at Purchase, NY
“Sculpture on the Wall:  Relief Sculpture of the Seventies”, Fine Arts Center, University of Massachusetts, Amherst, MA
“Explorations in the 70’s”, Pittsburgh Plan for Art, Pittsburgh, PA
“Fabric Into Art”, Amelia A. Wallace Gallery, New York Institute of Technology, Old Westbury, NY
“American Sculpture:  Gifts of Howard & Jean Lipman”, Whitney Museum of American Art, New York, NY
“Drawings: The Pluralist Decade”, Institute of Conteporary Art, University of Pennsylvania, Philadelphia, PA
“Venice Biennale 1980”, U.S. Pavilion, Venice, Italy; Kunstforeningen Museum, Copenhagen, Denmark; Henie-Onstad Art Center, Oslo, Norway; Biblioteca Nationale, Madrid, Spain; Gulbenkian Museum, Lisbon, Portugal
“Contemporary Sculpture, Selections from the Collection of the Museum of Modern Art”, Museum of Modern Art, New York, NY
“From Reinhardt to Christo”, Allen Memorial Art Museu, Oberlin College, Oberlin, OH
“Hauptwerke der Minimal Art”, InK, Zurich, Switzerland
“Reliefs”, Kunsthaus Zurich, Switzerland
“Exposition Societe des Artistes Independents”, Grand Palais, Paris, France
“The Minimal Tradition”, Aldrich Museum of Conteporary Art, Ridgefield, CT
“Group Show”, Sonnabend Gallery, New York, NY
“Drawings/Structures”, Institute of Contemporary Art, Boston, MA
“Fabrications”, Fine Arts Gallery, University of South Florida, Tampa, FL
“Architectural Sculpture”, Los Angeles Institute of Contemporary Art, Los Angeles, CA
“Sammlung Panza-Minimal Skulpturen”, Kunstmuseum Dusseldorf, Dusseldorf, Germany
“Drawings to Benefit the Foundation for Contemporary Performance Art, Inc.”, Leo Castelli Gallery, New York, NY
“American Drawings in Black and White”, Brooklyn Museum, Brooklyn, NY
1979“The Sense of the Self:  From Self-Portrait to Autobiography”, (organized by Independent Curators, Incorporated), New Gallery of Contemporary Art, Cleveland, OH (traveling exhibition)
“Drawings”, Galerie Ricke, Cologne, Germany
“Words Words”, Museum Bochum, Germany; Palazzo Ducale, Genova, Italy
“Drawings About Drawing Today”, Ackland Art Museum, University of North Carolina, Chapel Hill, NC
“Images of the Self”, Hampshire College Gallery, Amherst, MA
“Drawings by Castelli Artists”, Leo Castelli Graphics, New York, NY
“The Reductive Object:  A Survey of Minimalist Aesthetic in the 1960’s”, Institute of Contemporary Art, Boston, MA
“Great Big Drawing Show”, The Institute of Art & Urban Resources, P.S.1, Long Island City, NY
“American Portraits of the Sixties and Seventies”, Aspen Center for the Visual Arts, Aspen, CO
“Summer Group Show”, Leo Castelli Gallery, New York, NY
“Sound at P.S.1”, Institute for Art & Urban Resources, P.S. 1, Long Island City, NY
“Emergence & Progression: Six Contemporary American Artists”, Milwaukee Art Center, WI; Virginia Museum of Fine Arts, Richmond, VA; J.B. Speed Museum, Louisville, KY; New Orleans Museum of Art, LA
“Supershow”, (organized by Independent Curators, Incorporated), Hudson River Museum, Yonkers, NY
1978“Project Drawings:  Donald Judd, Rockne Krebs, Robert Morris”, Kansas City Art Institute, Kansas City, MO
“Aspects of Minimal Art”, Julian Pretto Gallery, New York, NY
“Probing the Earth:  Contemporary Land Projects”, (organized by the Hirshhorn Museum), La Jolla Museum of Contemporary  Art, La Jolla, CA
“Hermetic Aspects of Contemporary Art”, (organized by Institute for Art & Urban Resources), P.S.1, Long Island City, NY
“Drawings for Outdoor Sculpture 1946-1977”, Amherst College, Amherst, MA, (organized by John Weber Gallery); University of California at Santa Barbara, CA; Massachusetts Institute of Technology, Cambridge, MA
“Salute to Merce Cunningham, John Cage and Collaborators”, Thomas Segal Gallery, Boston, MA
“Structures for Behavior”, Art Gallery of Ontario, Toronto, Canada
“Incontri Internazionali d’Arte”, Rome Italy
“Sculpture/Nature”, Centre d’Arts Plastiques Contemporains de Bordeaux, France
“Summer Group Show”, Leo Castelli Gallery, New York, NY
“Art About Art”, Whitney Museum of American Art, New York, NY; North Carolina Museum of Art, Raleigh, NC; Frederick S. Wright Art Gallery, University of California, Los Angeles, CA; Portland Art Museum, Portland, OR
“20th Century American Drawings:  Five Years of Acquisitions”, Whitney Museum of American Art, New York, NY
“Drawings for Outdoor Sculpture 1946-1977”, (organized by John Weber Gallery), Laguna Gloria Art Museum, Austin, Texas
“Architectural Analogues”, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY
“Modern American Painting & Sculpture from the Dallas Museum of Fine Arts”, Fort Worth Art Museum, Fort Worth, TX
“About the Strange Nature of Money”, Stadtische Kunsthalle, Dusseldorf, Germany; Stedelijk Van Abbemuseum, Eindhoven, The Netherlands; Centre Georges Pompidou, Paris, France; Palais des Beaux Arts, Brussels, Belgium
1977“Improbable Furniture”, Institute of Contemporaray Art, Philadelphia, PjA
“Drawing of the ’70’s”, The Art Institute of Chicago, IL
“Robert Barry, Don Judd, Robert Morris, Keith Sonnier”, Leo Castelli Gallery, New York, NY
“Ideas in Sculpture”, The Renaissance Society at the University of Chicago, Chicago, IL
“Words at Liberty”, The Museum  of Contemporary Art, Chicago, IL
“Two Decades of Exploration:  Homage to Leo Castelli on the Occasion of His 20th Anniversary”, Newport Art Association, Newport, RI
“The City Project”, New Gallery of Contemporary Art, Cleveland, OH
“Drawings”, The Sable-Castelli Gallery, Toronto, Ontario, Canada
“New York: The State of Art”, New York State Museum, Albany, NY
“Probing the Earth:  Contemporary Land Projects”, The Hirshhorn Museum, Washington,DC
“Themes in American Painting”, The Grand Rapids Art Museum, Grand Rapids, MI
“Proposals for Sawyer Point Park”, The Contemporary Arts Center, Cincinnati, OH
“A View of the Decade”, Museum of Contemporary Art, Chicago, IL
“Drawings for Outdoor Sculpture: 1946-1977”, John Weber Gallery, New York, NY
“Works on Paper by Contemporary American Artists”, Madison Art Center, Madison, WI
1976“Drawings Now”, Museum of Modern Art, New York, NY
“Autogeography”, Whitney Museum of American Art, Downtown at Federal Plaza, New York, NY
“72nd American Exhibition”, The Art Institute of Chicago, Chicago, IL
“The New Image”, The High Museum of Art, Atlanta, GA
“Survey Part I”, Sable-Castelli Gallery, Toronto, Ontario, Canada
“American Art Since 1945”, (organized by the Museum of Modern Art, New York, NY) Dallas Museum of Fine Arts, Dallas, TX
1975“Light/Sculpture”, William Hayes Ackland Memorial Art Center, Chapel Hill, NC
“Surrealitat-Bildrelitat 1924-1974”, Stadtische Kunsthalle, Dusseldorf, Germany
“Zeichnungen III, USA”, Stadtisches Museum, Leverkusen, Germany
“Functions of Drawing”, Rijksmuseum Kroller – Muller, Otterlo, The Netherlands
“Labyrinth”, Philadelphia College of Art, Philadelphia, PA
“Twentieth Century, Masterworks in Wood”, Portland Art Museum, Portland, OR
“25 Stills”, The Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY
“Sculpture, American Directions 1945 – 1975”, National Collection of Fine Arts, Smithsonian Institution, Washington, DC
“Judd, Flavin, Morris”, Leo Castelli Gallery, New York, NY
“Bodyworks”, The Museum of Contemporary Art, Chicago, IL
“Menace”, Museum of Contemporary Art, Chicago, IL
1974“Drawings”, Leo Castelli Gallery, New York, NY
“Political Art”, Max Protetch Gallery, Washington, DC
“Line as Language:  6 Artists Draw”, Princeton University Art Museum, Princeton, NJ
“Idea and Image in Recent Art”, The Art Institute of Chicago, Chicago, IL
“Videotapes:  Six from Castelli”, De Saisset Art Gallery, University of Santa Clara, Santa Clara, CA
“Interventions in Landscapes”, The Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA
“The Ponderosa Collection”, The Contemporary Arts Center, Cincinnati, OH
“Kunst-Uber Kunst”, Kolnishcer Kunstverein, Cologne, Germany
“Some Recent American Art”, (organized by the Museum of Modern Art, New York, NY), exhibited in Australia and New Zealand
Galleria Christian Stein, Turin, Italy
“Record As Artwork”, Galerie Ricke, Cologne, Germany
“Castelli at Berggruen”, John Berggruen Gallery, San Francisco, CA
“Art/Voir”, Musee National d’Art Contemporain, Centre Georges Pompidou, Paris, France
“In 3-D”, Leo Castelli Gallery, New York, NY
1973“New York’s Finest”, Max Protetch Gallery, Washington, DC
“1973 Biennial Exhibition”, Whitney Museum of American Art, New York, NY
“3D into 2D:  Drawing for Sculpture”, New York Cultural Center, New York, NY; Kunstmuseum Luzern, Lucerne, Switzerland
“Art in Evolution”, Xerox Square Exhibit Center, Rochester, NY
Ace Gallery – Canada, Vancouver, British Columbia, Canada
“American-Type Sculpture”, Visual Arts Gallery, New York, NY
“Video Tapes”, Leo Castelli Gallery, New York, NY
“Drawings”, Cusack Gallery, Houston, TX
“Record as Artwork”, Francoise Lambert Gallery, Milan, Italy
“Contemporanea”, Villa Borghese, Rome, Italy
1972“Projektion”, Louisiana Museum of Modern Art, Humlebaek, Denmark
“70th American Exhibition”, Art Institute of Chicago, Chicago, IL
“Reflection Through a Collector’s Eye”, Art Museum of Indiana University, IN
“Diagrams & Drawings”, Rijksmuseum Kroller-Muller, Otterlo, The Netherlands
“Spoleto Festival”, Spoleto, Italy
1971“Contemporary Sculpture from Northwest Collections”, Western Washington State College, Bellingham, WA
“6th International Exhibition”, Guggenheim Museum, New York, NY
“Artist/Theory/Work”, Kusnthalle Nurnburg, Nurnberg, Germany
“Kid Stuff”, Albright-Knox Art Gallery, Buffalo, NY
“Works on Film”, Leo Castelli Gallery, New York, NY
“Prospect 71”, Stadtische Kunsthalle-Dusseldorf, Dusseldorf, Germany
“ROSC 1971”, Royal Dublin Society, Dublin, Ireland
“Six Sculptors: Extended Structures”, Museum of Contemporary Art, Chicago, IL
“Art on Paper”, Weatherspoon Gallery, University of North Carolina, Greensboro, NC
“Works for New Spaces”, Walker Art Center, Minneapolis, MN
“Art & Technology Program of the Los Angeles county Museum of Art (1967-1971)”, Los Angeles, CA
1970“Spaces”, Museum of Modern Art, New York, NY
“69th American Exhibition”, Art Institute of Chicago, Chicago, IL
“Hanging/Leaning”, Emily Lowe Gallery, Hofstra University, Hempstead, NY
Kaiser Wilhelm Museum, Krefeld, Germany
“The Drawing Society’s New York Regional Drawing Exhibition”, Cooper-Hewitt Museum, New York, NY
“Artists and Photographs”, Multiples Gallery, New York, NY
“American Artists of the 1960’s”, Boston University Art Gallery, Boston, MA
“Painting and Sculpture Today – 1970”, Indianapolis Museum of Art, Indianapolis, IN
“Drawings of American Artists”, Galerie Rolf Ricke, Cologne, Germany
“Third Salon International des Galeries – Pilotes”, Museum of Fine Arts, Lausanne, Switzerland
“American Art Since 1960”, Princeton University Art Gallery, Princeton, NJ
“Using Walls (Indoors)”, Jewish Museum, New York, NY
“Earth Art”, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY
“The Thing as Object”, Kunsthalle Nurnberg, Nurnberg, Germany
“Information”, Museum of Modern Art, New York, NY
“Attitudes”, Brooklyn Museum of Art, Brooklyn, NY
“Monumental Art”, Contemporary Arts Center, Cincinnati, OH
“American Drawings”, Galerie Yvon Lambert, Paris, France
“Against Order:  Chance and Art”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
“Whitney Annual: Contemporary American Sculpture”, Whitney Museum of American Art, New York, NY
“Editions in Plastic”, University of Maryland Art Gallery, Baltimore, MD
“The Drawing Society National Exhibition:  1970”, (traveling exhibition)
1969“Plastics and New Art”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
“New York 13”, Vancouver Art Gallery, Vancouver, British Columbia, Canada
“New Media:  New Methods”, Museum of Modern Art, New York, NY
“Soft Art”, New Jersey State Museum, Trenton, NJ
“Square Pegs in Round Holes”, The Stedelijk Museum, Amsterdam, Holland
“When Attitude Becomes Form”, Kunsthalle Bern, Bern, Switzerland
University of Puerto Rico, Mayaguez, Puerto Rico
Pennsylvania State University, University Park, PA
“Contemporary American Sculpture: Selection 2”, Whitney Museum of American Art, New York, NY
“14 Sculptors:  The Industrial Edge”, Walker Art Center, Minneapolis, MN
“Earth Art”, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY
Finch College Museum of Art, New York, NY
Galerie Heiner Friedrich, Munich, Germany
Robert Hull Fleming Museum, University of Vermont, Burlington, VT
“Painting and Sculpture Today 1969”, Indianapolis Museum of Art, Indianapolis, IN
“Ecologic Art”, John Gibson Gallery, New York, NY
“Soft Sculpture”, American Federation of the Arts, New York, NY (traveling exhibition)
“Anti-Illusion:  Procedures/Materials”, Whitney Musuem of American Art, New York, NY
“Pop Art”, Hayward Gallery, London, England (organized by the Arts Council of Great Britain)
Sammlung Karl Stroher, Neue National Galerie, Berlin, Germany
“Contemporary Drawing Exhibition”, Finch College Art Museum, New York, NY
“An American Report on the Sixties”, Denver Art Museum, Denver, CO
“Critic’s Choice”, New York State Council on the Arts (traveling exhibition)
“Contemporary Drawing Show”, Fort Worth Art Center, Fort Worth, TX
“Art by Telephone”, Museum of Contemporary Art, Chicago, IL
“New York Painting and Sculpture:  1940-1970”, Metropolitan Museum of Art, New York, NY
“American Drawing of the Sixties:  A Selection”, New School Art Center, New York, NY
“Art on Paper, 1969”, Weatherspoon Gallery, University of North Carolina, Greensboro, NC
“Art in Process IV”, Finch College Museum of Art, New York, NY
“Five Sculptors”, The Art Gallery, University of California at Irvine, Irvine, CA
1968“2nd Buffalo Festival of the Arts Today”, Albright-Know Gallery,  Buffalo, NY
“Minimal Art”, Gemeentemuseum, The Hague, Holland
“L’Art Vivant 1965-1968”, Fondation Maeght, Saint Paul de Vence, France
“Art of the Real:  USA 1948-1968”, Museum of Modern Art, New York, NY
“The Pure and Clear:  American Innovations”, Philadelphia Museum of Art, Philadelphia, PA
“1968 Annual Exhibition;  Sculpture”, The Whitney Museum of American Art, New York, NY
1967“Ten Years”, Leo Castelli Gallery, New York, NY
“Color, Image and Form”, The Detroit Institute of Arts, Detroit, MI
“American Sculpture of the Sixties”, Los Angeles County Museum of Art, Los Angeles, CA; The Philadelphia Museum of Art, Philadelphia, PA
“New Sculpture and Shaped Canvas”, California State College, Los Angeles, CA
“The 1960’s:  Painting and Sculpture from the Museum Collection”, Museum of Modern Art, New York, NY
International Institute Torcuato di Telli, Buenos Aires, Brazil (First Prize)
“Kompas III”, Stedlijk Van Abbemuseum, Eindoven, Holland
“5th International Exhibition, Guggenheim Museum, New York, NY; Art Gallery of Ontario, Toronto, Ontario, Canada; National Gallery of Canada, Ottawa, Ontario, Canada; Montreal Museum of Fine Arts (Purchase Prize), Montreal, Quebec, Canada
1966“The ‘Other’ Tradition”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
“Primary Structures”, The Jewish Museum, New York, NY
“Contemporary American Sculpture, Selection 1”, The Whitney Museum of American Art, New York, NY
“Art in Progress”, Finch College Art Museum, New York, NY
“68th American Exhibition”, Art Institute of Chicago, Chicago, IL (First Prize)
“Eight Sculptors – The Ambiguous Image”, Walker Art Center, Minneapolis, MN
“Sculpture Annual”, Whitney Museum of American Art, New York, NY
1965“Shape & Structure”, Tibor de Nagy Gallery, New York, NY
“Young America 1965”, Whitney Museum of American Art, New York, NY
1963Green Gallery, New York, NY
“Sight and Sound”, Cordier & Ekstrom Gallery, New York, NY
“Black, White & Grey”, Wadsworth Atheneum, Hartford, CT

BIBLIOGRAPHY
ARTICLES AND STATEMENTS BY THE ARTIST

1998“Cezanne’s Mountains,'”Critical Inquiry, 24 (Spring), pp.814-829
1997“Professional Rules,” Critical Inquiry, 23 (Winter), pp.298-322
1995“The Beaded Knot: A Tuscan Decade,”;”Five Labyrinths,”;”The Room,” Bruno Cora, Robert
Morris: A Path Towards the Center of the Knot
. Pistoria, Italy: Fattoria di  Celle
1993“Writing with Davidson: Some Afterthoughts after Doing Blind Time IV: Drawing with Davidson,” Critical Inquiry, 19 (Summer), pp. 617-627
“Continuous Project Altered Daily: The Writings of Robert Morris,” Cambridge, Massachusetts: MIT Press, 1993
1990“What Did the Guggenheim Gain:  Minimalism Revisited,” The Journal of Art, October, p.28
1989“Three Folds in the Fabric and Four Autobiographical Asides as Allegories (Or Interruptions),” Art in America, November, pp. 142-151
“Words and Images in Modernism and Postmodernism,” Critical Inquiry, 15 (Winter), pp.179-186
1981“American Quartet,” Art in America, December, pp. 92-104
1978“The Present Tense of Space,” Art in America, January/February, pp. 70-81
1975“Aligned with Nazca,” Artforum, October, pp. 26-39
1973“Some Splashes in the Ebb Tide,” Artforum, February, pp. 42-49
1972“Interview with Achille Bonito Oliva,” Domus, November, pp. 43-44
“Interview with L. Picard,” Kunstwerk, Vol. 25, March, pp. 3-13
1971“The Art of Existence.  Three Extra Visual Artists:  Work in Process,” Artforum, January, pp. 28-33
1970“Some Notes on the Phenomenology of Making:  The Search for the Motivated,” Artforum, April
1969“Notes on Sculpture, Part IV,” Artforum, Vol. 7, April, pp. 50-54 (Parts I, II, III also reprinted in Battock-Minimal Art)
“Statement,” Art Now, New York, 1/6, June
1968“Anti-Form,” Artforum, Vol. 6, April pp. 33-35
“Interview met Robert Morris,” (an interview with Wijers Louweien), Museumjournaal, Serie 13, No. 4, p.14
1967“A Method for Soring Cows,” Art and Literature, 11, Winter, p. 180
“Notes on Sculpture, Part III,” Artforum, Vol. 5, June. pp. 24-292
“Portfolio: 4 Sculptors,” Perspecta, (The Yale Architectural Journal), No. 11 , pgs. 44-53
1966“Note on Sculpture,” Artforum, Vol. 4, February, pp. 42-44
“Dance,” The Village Voice, Part 1, February 3, pp. 8, 24-25; Part II, February 10, p. 15
“Notes on Sculpture, Part II,” Artforum, Vol. 5, October, pgs. 20-23
1965“Notes on Dance,” Tulane Drama Review,” X/2, Winter, pp. 179-186

BIBLIOGRAPHY – CATALOGUES AND BOOKS

1999Cherix, Christophe. Robert Morris: Estampes et Multiples 1952-1998. Catalogue Raissonne.
Geneva: Cabinet des estampes du Musee d’art et d’histoire and Chatou: Centre National de l’estampe et de l’art imprime.
1998TELEGRAM/THE RATIONED YEARS. Geneva, Switzerland: JRP Editions
1997Tar Babies of the New World Order. (Exhibition catalogue) Milano, Italy: Edizioni Charta
Beeren, Wim , Irene Veenstra, et  al. Robert Morris: Recent Felt Pieces and Drawings. Exh. cat. Hannover: Association L.A.C. Lieu d’Art Contemporain Sigean
1995Fineberg, Jonathan.  Art Since 1940 – Strategies of Being.  Prentice Hall, Englewood Cliffs, New Jersey.
Notes on Print: With and After Robert Morris.  Geneva: Cabinet des estampes du Musee d’art et d’histoire
1994Krauss, Rosalind, Maurice Berger and David Antin.  Robert Morris:  The Mind/Body Problem. Guggenheim Museum Publications, NY
1993Thompson, Jon, William Tucker and Yehuda Safran.  Gravity & Grace:  The Changing Condition of Sculpture 1965-1975. The South Bank Center, London
Bonito Oliva, Achille, Laura Cherubini & Maria Grazia Tolomeo Speranza.  Tutte Le Strade Portano a Roma?, Edizioni Carte Segrete, Roma
Celant, Germano, Paolo Fossati, Alberto Papuzzi.  Un’Avventura Internazionale:  Torino e Le Arti 1950-1970.  Castello di Rivoli, Museo d’arte contemporanea, Torino
Rosenthal, Norman, Arthur C. Danto and Douglas Tallack.  American Art in the 20th Century:  Painting and Sculpture 1913-1993.  Prestel-Verlag, Munich
Robert Morris Felt.  Akira Ikeda Gallery, Taura, Japan.
Wood, Paul, Francis Frascina, Jonathan Harris, Charles Harrison.  Moderism in Dispute:  Art since the Forties, Yale, The Open University, New Haven, London
1992Leigh, Christian, Marc J. Straus. Quotations, The Aldrich Museum of Contemporary Art (Exhb. catalogue)
Waldman, Diane.  Collage, Assemblage, and the Found Object.  Harry N. Abrams, NY
1990Sultan, Terrie, Barbara Rose. Robert Morris:  Inability to Endure or Deny the World, The Corcoran Gallery or Art, Washington, DC
1989Karmel, Pepe, Maurice Berger, Thomas W. Sokolowski.  Robert Morris:  The Felt Works, Grey Gallery and Art Center, New York University, NY
Yau, John.  Repetition, Hirschl & Adler Modern Art, NY
Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper and Row
1988Celant, Germano, Fernado Huici.  Arte Minimal:  Coleccion Panza, Centro de Arte Reina Sofia, Madrid
1987Coleccion Sonnabend, Centro de Arte Reina Sofia, Madrid
1986Amerikanische Zeichnungen 1930-1980, Stadtische Galerie im Stadelschen Kunstinstitut Frankfurt am Main (11/12/85 – 1/26/86), p. 129
An American Renaissance:  Painting & Sculpture Since 1940, Museum of Art, Ft. Lauderdale, FL (1/12 – 3/30/86), p. 253
Directions 1986, pub. for the Hirshhorn Museum and Sculpture Garden by the Smithsonian Institution Press, Washington, DC, Toward the Baroque, pp. 22 – 25
Memento Mori, Centro Cultural/Arte Contemporaneo, Fundacion Cultural Televisia, Mexico City
1984Endgame – Strategies of Postmodernist Performance, essay by Maurice Berger, Hunter College Art Gallery, New York, NY
The Shadow of the Bomb, essay by Sally Yard, Mount Holyoke College Art Museum;  University Gallery, University of Massachusetts at Amherst, MA
Large Drawings, Ezra and Cecile Zilkha Gallery; Center for the Arts, Wesleyan University, Middleton, CT
A Different Climate, Stadtische Kunsthalle, Dusseldorf, p. 62
The Poetry of Vision, ROSC, The Guiness Hop Store, St. James Gate, Dublin 8, pgs. 144 – 146
1983Victims and Violations, Contemporary Arts Center, New York, NY
Objects, Structures, Artifice;  American Sculpture 1970 – 1983, introduction by Michael Klein, SVC Fine Arts Gallery, University of South Florida, Tampa, FL;  Center Gallery, Bucknell University, Lewisberg, PA
1982Robert Morris:  Selected Works 1970 – 1980, essay by Marti Mayo, Contemporary Arts Museum, Houston, TX
The Drawings of Robert Morris, introduction by Thomas Krens, Williams College Museum of Art, Williamstown, MA
1980Dokumentation 6, Ink. Halle fur internationale neue Kunst, Zurich
1979Robert Morris:  Mirror Works 1961 – 78, introduction by Robert Morris, Leo Castelli Inc., New York, published in a limited edition of 2,000 copies
1978Probing the Earth Contemporary Land Projects, Hirshhorn Museum, Washington, DC
1977Robert Morris, Compton, Michael & Sylvester, David (Tate Gallery Art Series), Barron
Probing the Earth;  Contemporary Land Projects, John Beardsley, Washington, DC, Smithsonian Institution Press, pp. 56 – 63
1974Robert Morris, introduction by Bernard Ceysson, Musee d’Art et d’Industrie, Saint Etienne, France
1971Robert Morris, Tate Gallery Publications Dept., London, The Bernie Press, Great Britain
1970Robert Morris, Marcia Tucker, Praeger Pub. Inc., New York, NY
New York Painting & Sculpture 1940-1970, Metropolitan Museum of Art, New York, NY
Das Ding als Objeht, introduction by Willy Rotzler, Kunsthalle Nurberg aur Marientor
Chance and Art, essay by Robert Pincus-Witten, Pennsylvania University Institute of Contemporary Art, Philadelphia, PA
Hanging/Leaning, introduction by Robert R. Liltman, (drawings and instruction for wall and floor piece), Emily Low Gallery, Hofstra University
1969Op Losse Schroeven, Stedelijk Museum, Amsterdam
Earth Art, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY
Robert Morris, essay by Annette Michelson, The Corcoran Gallery of Art, Washington, DC
Plastics and the New Art, essay by Stephen S. Prokopoff, Pennsylvania Unviersity Institute of Contemporary Art, Philadelphia, PA
When Attitudes Become Form, statements by Harold Szeemann, Scott Burton and Gregoire Muller, Kunsthalle, Bern
Der Raum in der Amerikanischen Kunst, introduction by Felix Andreas Bauman, Kunsthaus, Zurich
Joseph Kosuth – Robert Morris, Laura Knott Gallery, Bradford Junior College, Bradford, MA
Soft Art, New Jersey State Museum, Trenton, NJ
American Drawings of the Sixties, introduction by Paul Mocsanyi Art Center, School for Social Research, New York, NY
Minimal Art, Staadtische Kunsthalle, Dusseldorf, Germany
The Artist & the Factory:  Drawings and Models, University of Minnesota, Minneapolis, MN
New York 13, text by Lucy Lippard, Vancouver Art Gallery
14 Sculptors:  The Industrial Edge, essays by Barbara Rose, Christopher Finch and Martin Friedman, Walker Art Center, Minneapolis, MN
Anti-Illusion:  Procedures/Materials, essays by James Monte and Marcia Tucker, Whitney Museum of American Art, New York, NY
1968Plus by Minus:  Today’s Half-Century, Albright-Knox Gallery;  The Buffalo Fine Arts Academy, Buffalo, NY
Robert Morris, essay by Jean Leering, Stedlijk van Abbemuseum, Eindhoven
Documenta, Vol. 1, essays by Arnold Bode, Max Imdhal and Jean Leering, Documenta Gesellschaft mbH, 4, Kassel, Druck & Verlag, GmbH
The Art of the Real;  USA 1948 – 1968, text by E.C. Goosen, The Museum of Modern Art, New York, NY
Minimal Art – A Critical Anthology, by Gregory Battock, New York, E.P. Dutton Co. Inc.
1967Guggenheim International Exhibition 1967, introduction by Edward F. Fry, The Solomon R. Guggenheim Museum, New York, NY
American Art since 1900, Barbara Rose, New York and Washington, Frederick A. Praeger, Inc.
American Sculpture of the Sixties, (selected and edited by Maurice Tuchman;  essays by Lawrence Alloway, Wayne V. Andersen, Dore Ashton, John Coplans, Clement Greenberg, Max Kozloff, Lucy R. Lippard, James Monte, Barbara Rose and Irving Sandler), Los Angeles County Museum of Art, Los Angeles, CA
Kompas 3 (Kompas New York), preface by Jean Leering and Paul Wember;  introduction by Jean Leering, Stedelijk van Abbemuseum, Eindhoven
1966Art in Process, (foreward by Elayne H. Varian), Contemporary Art Wing, Museum of Art, Finch College, New York, NY
Eight Sculptures:  The Ambiguous Image, Friedman Martin, essay in exhibition catalogue, Walker Art Center, Minneapolis, MN, pp. 18, 20, 21
The Other Tradition, G.R. Swenson, Pennsylvania University Institute of Contemporary Art, Philadelphia, PA
Primary Structures, introduction by Kynaston McShine, The Jewish Theological Seminary of America, The Jewish Museum, New York, NY
1963Mixed Media and Pop Art, Albright-Knox Gallery;  The Buffalo Fine Arts Academy, Buffalo, NY
Air Arts, Council of the YM/YWHA, pp. 26-27
Beyond Modern Sculpture, Jack Burnham, George Braziller, n.d. Leo Castelli Gallery, New York, NY

BIBLIOGRAPHY – ARTICLES AND REVIEWS

1999Butler, Connie. “Afterimage: Drawing Through Process.” Los Angeles: The Museum of Contemporary Art
Stavitsky, Gail. “Waxing Poetic: Encaustic Art in America.” New Jersey: The Montclair Art Museum, pp.41-42.
1998Cohen, Mark Daniel. “Robert Morris: The Rationed Years, 1998. An Installation, And Other New  Work.” Review (October 15, 1998), 7-11
1995Didi-Hubermann, Georges. “Critical Reflections.” Artforum, January, Vol. 33, No. 5, pp. 64-  65, 103.
Elms, Anthony. “Tabletop Tap Dancing (entombment of recognition).”  Chicago Art Journal, Sring, Vol. 5, No. 1, pp. 44-52.
Karmel, Pepe. “Robert Morris: Formal Disclosures.” Art in America, 88,6 (June), pp.88-95, 117-119
“The Corner as Trap, Symbol, Vanishing Point, History Lesson.” The New York Times, 21 July, p.C25
1994Filler, Martin. “‘Taking the Temperature of His Own Ideas.'”  The New York Times, 23 January, Section 2, pp. 32-33
Smith, Roberta. “A Robert Morris Tour of Contemporary History.” The New York Times, 4 February, p. C24.
Larson, Kay. “Mind Field.” New York Magazine, 21 February, pp. 55-56
Kramer, Hilton. “Boredom Makes Comeback In Morris Retrospective.” The New York Observer, 28 February, pp. 1 + 23
Schjeldahl, Peter.  “The Smartass Problem.” The Village Voice, March 1, p. 87
Krauss, Rosalind. “Robert Morris autour du probleme corps/exprit.” Artpress, July/August, no. 193, pp. 24-32.
Crow, Thomas. “Yo Morris.” Artforum, Summer, XXXII, no. 10, pp. 82-93,114
…”Golden Memories:  W.J.T. Mitchell Talks with Robert Morris.” Artforum,  April, Vol. XXXII, no. 8, pp. 86-91, 133
Cameron, Dan. “Farewell my Guggenheim.” Art and Auction, May, pp. 102 + 104
Gimelson, Deborah. “It’s a Wonderful Life.” ArtNews, Summer, Vol. 93, No. 6, pp. 170-172
1993Saunders, Wade.  “Making Art Making Artists.” Art in America, no. 1, Jan., pp. 70-94
…”Out of Sight at the Lisson.” Flash Art News, Vol. XXVI, No. 170, May/June, p. 107
1992Cron, Marie-Michele. “Pour demasquer les angoisses.” Le Devoir, Feb. 1,
Crow, Thomas. “Critical Reflections.” Artforum, May, pp. 104-105
Relyea, Lane. “Charles Ray: In the No.” Artforum, Sept. pp. 62-66
1991Smith, Roberta. “A Hypersensitive Nose for the Next New Thing.” The New York Times, Sunday, January 20, pp. H33 and H31.
Larson, Kay. “Change of Head.” New York Magazine, February 11, pp. 56-57
Wilson, William.  “Minimally a Bad Boy.” Los Angeles Times, May 7, Sect. F8, p. F8
Mahoney, Robert.  “Review of Robert Morris.” Arts Magazine, Summer, p. 88
Smith, Roberta.  “Art and Power, or, the Fist That Grips the Brush.” The New York Times, Oct. 24, pp. C17 + C21
“Art Since Mid-Century:  1945 to the Present.” by Daniel Wheeler, The Vendome Press, New York
1990Chave, A.C. “Minimalism and the Rhetoric of Power.” Arts Magazine, January, pp. 44 -63
Lewis, Jo Ann. “Gallery Owner Leo Castelli.” The Washington Post, Apr. 12 pp. C1+C2
Johnson, Ken. “Robert Morris’s Wake-Up Call.” Art in America, December, pp. 150-157
Bois, Yve-Alain. “Art of the Sixties and Seventies:  Panza the Idealist?” The Journal of Art, October, p. 29
Richard, Paul. “The Maximal Robert Morris:  At the Corcoran, Chaos and Contradictions From the Heart of a Former Minimalist.” The Washington Post,  Sun. Dec. 9, pp. G1 + G10
1989Wilson, William. “Review.” Los Angeles Times, Friday, January, 13, p. 19
Knight, Christopher. “Morris Offers a Survey of Art’s Terrain.” Los Angeles Herald Examiner, Friday, January 13, p. 33
Kandel, Susan. “Process Server.” LA Weekly, February 10-16, pp. 41,43
Siegel, Joanne. “Suits, Suitcases and Other Look-Alikes.” Arts Magazine, April, pp.70-75
Pagel, David. “Robert Morris at Margot Leavin.” Art Issues, #4, May, p. 24
Beardsley, John. “Earthenworks Renaissance.” Landscape Architecture,” Vol. 79, June, pp.47-48
Kuspit, Donald. Artforum, Vol. 28, September, pp. 139-140
Faust, Gretchen. Arts Magazine, Vol 64, October, pp. 102-103
1988Brenson, Michael.  “Art:  From Robert Morris.” The New York Times, Friday, January 15, p. C23
Wallach, Amei.  “When Thought Outweighs Technique in Art.” Newsday, January 15, Weekend, p. 25
Larson, Kay.  “Copy Cats.” New York Magazine, February 1, pp. 48-49
Heartney, Elenor.  “Review.” Art News, April, pp. 136-140
Morgan, Robert, C.  “Spotlight:  Robert Morris.” Flash Art, May/June, p. 122
Robins, Corinne.  “Robert Morris:  Death and Picture Frames.” Arts Magazine, May, pp. 74-75
Kuspit, Donald.  “Robert Morris:  Would-Be Old Master.” Contemporanea, May/June, pp. 81-85
Semin, Didier.  “Pour la documenta a Chamignac.” Art Press, May, p. 32
Cooper, Dennis.  “Review.” Artscribe International, September/October, p. 85
1987Marmer, Nancy. “Documenta 8:  The Social Dimension?” Art in America, September, p. 132
Wagner, T. “Auf der Suche nach Verbindlichkeiten: zur Documenta 8.” Kunstwerk, Vol. 40, September, pp. 47-48
1986Baigell, Matthew. “Robert Morris vers l’Apocalypse.” ArtPress 99, January, pp. 14-20
Lurie, David. “American Eccentric Abstraction, 1965-1972.” Arts Magazine, March
Leone, Lawrence. “Directions 1986 at the Hirshhorn Museum and Sculpture Garden.” Art News, April , pp. 144-145
Curtis, Cathy. “Morris’ Works Explore the Final Terror.” The Orange County Register, Friday, May 2
Wilson, William. “Rattling Skeletons in Newport Beach.” Calendar, Los Angeles Times
Knight, Christopher. “Creation and Destruction as Art – Robert Morris’ perplexing works on exhibit in Newport.” Los Angeles Herald Examiner, Sunday, May 11
1985Levin, Kim. “Apocalyptic Paint.” Village Voice, January 29
Glueck, Grace. “Robert Morris.” The New York Times, Friday, January 18
“Robert Morris at Sonnabend Gallery.” Corporate Culture Manhattan Inc., (GalleryGuide), January
Larson, Kay. “Robert Morris Goes Baroque.” New York Magazine, January 28
Ratcliff, Carter. “Robert Morris:  A Saint Jerome for Our Times.” Artforum, April
1984“The Shadow of the Bomb.” Arts, April, pp. 73-82
“Robert Morris, Proposal for a Waterfront Site 1984.” Art in America, April
Russell, John. “Good Art Knows When To Shut Up.” The New York Times, Sunday, November 25
Howell, John. “Endgame.” Artforum, November
Lichtenstein, Therese.  “Works on Paper.” Arts Magazine, Jan.
1983Lichtenstein, Therese. “Robert Morris.” Arts Magazine, March
“A Tomb Outside the City.” The Voice, February 1, p. 67
“Robert Morris (at Leo Castelli & Sonnabend Gallery).” New York Times, January 28
Cohen, Ranny. “Robert Morris (at Leo Castelli & Sonnabend Gallery).” Artnews, March
Marmer, Nancy. “Death in Black and White.” Art in America, March, p. 129
Patton, Phil. “Robert Morris and the Fire Next Time.” Artnews, December, pp. 84-91
Kass, Ray. “Morris Graves.” Artnews, December, p. 92
Adcock, Craig. “The Big Bad:  A Critical Comparison of Mount Rushmore and Modern Earthworks.” Arts Magazine, April, pp. 104-107
McGreevy, Linda F. “Robert Morris’ Metaphorical Nightmare: The Journado del Muerto.” Arts
“Robert Morris.” Arts Magazine, March
Smith, Roberta. “Robert Morris’ Career Might be Seen as the Inverse of Robert Rauschenberg’s.” Village Voice, January 25
Renard, Delphine. “Robert Morris – Galerie Daniel Templon.” Art Press (Expositions), July/August
Glade, Luba. “The Beholder.” Gambit, November 27
1982Fleming, Lee. “On Metaphor.” Washington Review, February/March, p. 10
Kalil, Susie. “Robert Morris:  Provocative Visual Vocabularies.” Artweek, February 13
“Robert Morris.” Artnews, May
“Robert Morris.” Village Voice, June 15, p. 69
Flood, Richard. “Purchase.” Artforum, May
“The Last Designer Sheet.” Portfolio, September/October, p. 12
1981Crossley, Mimi. “Art:  Robert Morris: Selected Works 1970-80.” The Houston Post, Sunday, December 20
Gintz, Claude. “Du Minimalisme au Neo-Baroque.” Artistes, March-April, No. 8
Kahn, Barry. “Public Sculpture as Living Presence.” New Art Examiner, November (Midwest Edition)
Buchloh, Benjamin. “Westkunst-Modernism’s Restkunst?.” Art Monthly, October
Johnson, Patricia C. “The Total Experience of Robert Morris.” Houston Chronicle, Sunday, December 20
Swift, Mary. “Metaphor:  New Projects by Contemporary Sculptors.” Art in America, December, p. 100
1980Clay, Grady. “Reports:  Earthworks Move Upstage.” Landscape Architecture, January, pp. 55-57
Kuspit, Donald B. “The Artist (Neo-Dandy) Stripped Bare by His Critic (Neo-Careerist), Almost.” Arts Magazine, May, pp. 134-137
Eisenman, Stephen F. “The Space of the Self:  Robert Morris in the Realm of the Carceral.” Arts Magazine, September, pp. 104-109
Crary, Jonathan. “Situazione New York.” D’Ars, December, pp. 54-61
Fineberg, Jonathan. “Robert Morris Looking Back.” (an interview), Arts Magazine, September, pp. 110-115
Glowen, Ron. “Robert Morris-Work for Landscape and Gallery.” Artweek, Vol. II, No. 32, October 4, pp. 1-20
Pieszak, Devonna. “Robert Morris.” (Art Institute of Chicago), New Art Examiner, July, p. 17
Gloven, Ron.  “Robert Morris.” (Richard Hines Gallery), Vanguard, November, p. 26
Grant, Patrick. “Image by Word and Thing.” Vanguard, November, p. 10
Staniszewski, Mary Anne. “Acconci, Morris, Oppenheim.” ArtNews, September
Tarzan, Deloris. “Morris’ Art Challenges Viewers to be Patient.” New York Times
Hacket, Regina. “Morris’ Morbid Fantasies.” for the P.I.
Zito, Abby.  “New Concepts in Environmental Sculpture.” Art Speak, March 27, p. 6
Meyer, Michael, R. “Vito Acconci, Robert Morris, Dennis Oppenheim.” (at Sonnabend), ArtWorld, March 19
Shulze, Franz.  “The ’70s:  A Bedeviling Complexity Marked by Noisy Extremes of Taste.” ArtNews, January, p. 40
Shirley, David, L.  “Originality in Fabric.” The New York Times, Sunday, April 27
Larson, Kay.  “It’s the Pits.” Village Voice, August 27
Noah, Barbara.  “Cost Effective Earth Art.” Art in America, January
1979Foote, Nancy. “Monument-Sculpture-Earthwork.” Artforum, Vol. 18, No. 2, October, pp. 32-37
Ratcliff, Carter. “Robert Morris:  Prisoner of Modernism.” Art in America, Vol. 67, No. 6, October, pp. 96-109
1978Audette, Lawrence. “Robert Morris:  Learning to See Again.” Ulster Arts, Fall, pp. 8-10
1977Rubinflen, Leo. “Beating the System.” Artforum, Vol. 15, January, pgs 48-50
Tuchman, Phyllis. “Minimalism and Critical Response.” Artforum, Vol. 15, May, pp. 26-31
Kuspit, Donald, B. “Authoritarian Abstraction.” Aesthetics, Vol. 36, No. 1, Fall, pp. 27-28
1976Tuchman, Phyllis. “American Art in Germany:  The History of a Phenomenon.” Artforum, Vol. 9, November, pp. 66-67
Johnson, Ellen, H. “American Art of the Twentieth Century.” Apollo, Vol. 103, No. 169, February, pp. 128-135
Onorato, Ronald, J. “The Modern Maze.” Art International, Vol. 20, nos. 4-5, April, pp. 21-25
1975Martin, Richard. “Persistent Sublime.” Arts Magazine, Vol. 49, January, pp. 74-75
Anker, V and L. Dalenbach. “La Reflexion Speculaire, ” Art International, Vol. 19, February, pp. 30-31
1974—, “Kunst Uber Kunst.” Kolnischer Kunstverein, pp. 118-122
Anderson, L. ArtNews, Vol. 73, Summer, pp. 113-114
Fry, Edward. “Robert Morris:  The Dialectic.” Arts Magazine, Vol. 49, September, pp. 22-24
Gilbert, Rolfe, J. “Robert Morris: The Complication of Exhaustion.” Artforum, Vol. 13, September, pp. 44-49
—, “Pin-ups.” Art News, Vol. 73, No. 7, September, p. 44
Freed, Hermine. “Video and Abstract Expressionism.” Art Magazine, Vol. 49, No. 4, December, pp. 67-69
Russell, John. “Felt Sculptures Dominate Robert Morris Exhibition.” The New York Times, Saturday, April 20
1973Nakov, A.B. “Une Controverse: Angoissante Identite.” XXieme Siecle, Vol. 41, December, pp. 73-74
Krauss, Rosalind. “Sense and Sensibility.” Artforum, Vol. 12, November, p. 43-53
1972Burnham, Jack. “Voices from the Gate.” Arts Magazine, Vol. 46, Summer, pp. 34-46
Davis, Douglass. “Winding up the Season.” Newsweek, May 22, pp. 106-108
Schjeldahl, Peter. “Robert Morris:  Maxi of the Minimals.” The New York Times, Sunday, May 7
Perrault, John. “A Sculpted Play on Words.” The Village Voice, May 4, p. 30
1971Whittet, G.S.  “Morris in Retrospect.” Art & Artist, Vol. 6, June, pp. 36-37
Reid, N.  “The Limits of Collecting.” Studio, Vol. 182, July, pp. 38-39
Linville, Kasha.  “Sonsbeek:  Speculations, Impressions.” Artforum, Vol. 10, October, pp. 57-58
Celant, Germano.  “Robert Morris:  Information, documentation, archives.” Arte Contemporanea, No. 7, pp. 36-43
Reise, Barbara.  “The Aborted Haacke and Robert Morris Shows.” Studio International, vol. 182, No. 935, July, pp. 30-39
1970Kozloff, Max. “The Division and Mockery of the Self.” Studio International, Vol. 179, January pp. 9-15
Antin, David. “Lead Kindly Blight.” Art News, Vol. 69, No. 7, November, pp. 36-39, 87-90
Burnham, Jack. “Robert Morris:  Retrospective in Detroit.” Artforum, March, pp. 67-75
Calas, N. “The Wit and Pedantry of Robert Morris.” Arts Magazine, Vol. 44, pp. 44-47
Goossen, E.C. “The Artist Speaks:  Robert Morris.” Art in America, Vol. 58, No. 3, pp. 104-111
Lipman, Jean. “Money for Money’s Sake.” Art in America, Vol. 58, January/February, pp. 76-83
Shirley, David, L. “Mover & Shaker.” Newsweek, January 19, p. 94
Trini, Tommaso. “At Home With Art:  The Villa of Count Panza di Biumo.” Art in America, Vol. 58, No. 5, September, pp. 102-109
Michelson, Annette. “3 Notes on an Exhibition as a Work.” Artforum, Vol. 8, June, pp. 62-64
Kramer, Hilton. “The Triumph of Ideas Over Art.” The New York Times, Section 2, January 25, p. 27D
1969Kozloff, Max. “Art.” The Nation, Vol. 208, March 17, pp. 347-348
Kozloff, Max. “9 in a Warehouse.” Artforum, Vol. 7, February, pp. 38-42
Rose, Barbara. “Problems of Criticism, VI:  The Politics of Art, Part 3.” Artforum, Vol. 7, May, pp. 46-51
Rose, Barbara. “Sculpture as an Intimate Art.” New York, April 14, pp. 48-49
Muller, Gregoire.  “Robert Morris Presents Anti-Form.” Arts Magazine, Vol. 43, February, pp. 29-30
—, “Art You Can Bank On.” Life, Vol. 67, September 19, pp. 51-52, 56-58
Crespo, Angel. “Los Eventos Morris en el Campus de Mayaquez.” Revista de arte/The Art Review, University of Puerto Rico in Mayaguez, No. 3, December
Plagens, Peter.  “557.087 the Seattle Art Museum.” Artforum, Vol. 8, November, p. 65
Pomeroy, Ralph. “Soft Objects.” Arts Magazine, Vol. 43, March, pp. 46-48
Reise, Barbara. “Untitled 1969:  A Footnote on Art and Minimalstylehood.” Studio International, Vol. 177
Sharp, Willoughby. “Place and Process.” Artforum, Vol. 8, November, pp. 46-49
Shirley, David, L. “Impossible Art-What It Is.” Art in America, Vol. 57, May-June, pp. 32-47
Smithson, Robert. “Aerial Art.” Studio International, Vol. 177, April, pp. 180-181
Wilson, William, S. “Hard Questions and Soft Ansers.” Art News, November, pp.26-29
Kramer, Hilton. “The Emperor’s New Bikini.” Art in America, Vol. 57, January/February, pp. 48-55
1968Kaprow, Allan. “The Shape of the Art Environment.” Artforum, Vol. 6, Summer, pp. 32-33
Kozloff, Max. “New York.” Artforum, Vol. 6, Summer, pp. 48-51
Alfieri, Bruno. “Come andare avanti.” Metro, No. 14, June, pp. 80-89
Rose, Barbara. “Blowup-The Problem of Scale in Sculpture.” Art in America, Vol. 56, July/August, pp. 90-91
Perrault, John. “Reviews and Previews.” Art News, Vol. 67, September, pp. 12-13
Antin, David. “Differences-Sames:  New York 1966-1967.” Metro, No. 13, February, pp. 78-104
Battock, Gregory. “Robert Morris.” Arts Magazine, Vol. 42, May, pp. 30-31
Battock, Gregory. “The Art of the Real.” Arts Magazine, Vol. 42, June/Summer, pp. 44-47
Beeren, W.A.L. “Robert Morris.” Museumjournaal, Serie 13, No. 3, p. 135
Blok, C. “Minimal Art at the Hague.” Art International, May
Develing, E.  “Ideologische Kunst:  Minimal Art.” Museumjournaal, Serie 13, No. 1, p. 2-12
Gilardi, Piero.  “Microemotive Art.” Museumjournaal, Serie 13, No. 4, pp. 198-203
Gilardi, Piero.  “Primary Energy and the ‘Microemotive Artists’.” Arts Magazine, Vol. 43, September/October, pp. 48-51
Glueck, Grace.  “Documenta:  It Beats the Biennale.” The New York Times, Section 2, July, p. 20D
Glueck, Grace.  “A Feeling for Felt.” The New York Times, Section 2, April, p. 20D
Hahn, Otto.  “Ingres and Primary Structures.” (Peter Ruta, trans), Arts Magazine, February, pp. 24-26
Hutchinson, Peter.  “Earth in Upheavel.” Arts Magazine, Vol. 43, November, pp. 19 + 21
Leider, Philip.  “1 The Properties of Materials:  In the Shadow of Robert Morris.” The New York Times, Section 2, December 22, p. 31D
Sauerwein, Laurent.  “Two Sculptures by Robert Morris.” Studio International, Vol. 175, No. 900, May, p. 276
Pleynet, Marcelin.  “Peinture et Structuralisme.” Art International, Vol 12, November 20, pp. 29-34
Sharp, Willoughby.  “Air Art.” Studio International, Vol. 175, May, pp. 262-265
Siegel, Jeanne.  “Documenta IV.” Arts Magazine, Vol. 43, September/October, pp. 37-41
Smithson, Robert.  “A Museum of Language in the Vicinity of Art.” Art International, Vol 12, March 20, pp. 21-27
Smithson, Robert.  “A Sedimentation of the Mind:  Earth Projects.” Artforum, Vol. 7, September, pp. 44-50
—, “The New Art:  It’s Way, Way Out.” Newsweek, Vol. 72, July 29, pp. 56-63
Tillim, Sidney.  “Earthworks and the New Picturesque.” Artforum, Vol. 7, December, pp. 42-45
Lippard, Lucy R. and John Chandler.  “The Dematerialization of Art.” Art International, Vol. 12, February 20, pp. 31-36
Lovweien, Wijers.  “Interview met Robert Morris.” Museum Journaal, Serie 13, No. 4, p. 14
—, “Mastery of Mistery.” Time, May 17
Leering, J.  “Robert Morris:  2 L-Shapes 1965.” Museum-Journaal, (Amsterdam:  Rijksmuseum Kroller-Muller), Vol. 13, No. 3, p. 135
1967Rose, Barbara. “The Value of Didactic Art.” Artforum, Vol. 5, April, pp. 32-36
Rosenberg, Harold. “The Art World.” The New Yorker, Vol. 43, February 25, pp. 99-109
—, “Obvious Forms and a Boom in Boxes.” Life Magazine, July 28, pp. 40-44
Perrault, John. “Union Made.” Arts Magazine, Vol. 41, March, pp. 26-31
Ashton, Dore. “Jeunes talents de la sculpture americaine.” Aujourd’hui, Vol. 10, December 1966/January 1967, pp. 158-160
Benedikt, Michael. “New York Letter.” Art International, Vol. 11, January 20, pp. 56-62
Benedikt, Michael. “New York:  Notes on the Whitney Annual 1966.” Art International, Vol 11, February 20, pp. 56-62
Lippard, Lucy, R. “Eros Presumptive.” The Hudson Review, Vol. 20, Spring, pp. 91-99
Rainer, Yvonne. “Don’t Give the Game Away.” Arts Magazine, Vol. 41, April, pp. 44-47
Scott, R. “Robert Morris, A Report on the Art and Technology Program.” The Los Angeles County Museum of Art, 1967-1971, pp. 238-240
Michelson, Annette. “10 x 10 ‘concrete reasonabless’.” Artforum, Vol. 5,  January, pp. 30-31
Fried, Michael. “Art and Objecthood.” Artforum, Vol. 5, June/Summer, pp. 12-23
1966Bannard, Darby. “Present-Day Art and Ready-Made Styles.” Artforum, Vol. 5, December, pp. 30-35
Benedikt, Michael. “New York Letter.” Art International, Vol. 10, December,, pp. 64-69
Bochner, Mel. “Primary Structures.” Arts Magazine, Vol. 40, June, pp. 32-35
Dienst, Rolf-Gunter. “A Propos Primary Structures.” Arts, Vol. 40, No. 8, June, p.13
1965Kozloff, Max. “The Further Adventures of American Sculpture.” Arts Magazine, Vol. 39, February pp. 24-31
Rose, Barbara. “ABC Art.” Art in America, Vol. 53, October/November, pp. 29-36
Antin, David. “Art & Information, 1 Grey Paint.” Art News, April, pp. 22-24, 56-58
Johnston, Jill. “The New American Modern Dance.” The New American Arts (Richard Kostelanetz ed.), Collier Books, pp. 160-193
Lippard, Lucy R. “New York Letter.” Art International, March, pp. 46-52
Lippard, Lucy R. “New York Letter.” Art International, April, pp. 48-63
Lippard, Lucy R. “New York Letter.” Art International, May, pp. 52-59
Wladman, Diane. “Cornell:  The Compass of Boxing.” Art News, March, pp. 42-45, 49-50
Berrigan, Ted. “Reviews & Previews:  Robert Morris.” Art News, February, p. 13
1964Judd, Donald. “Black, White and Gray.” Arts Magazine, March, pp. 36-38
Oeri, Georgine. “The Object of Art.” Quadrum, No. 16, pp. 13-14, 4-26
1963Rose, Barbara. “New York Letter.” Art International, Vol. 7, December 5, 61-65

Collections

Pasadena Art Museum, Pasadena, California

Dallas Museum of Fine Arts, Dallas, Texas

Whitney Museum of American Art, New York, New York

The Tate Gallery, London, England

National Gallery of Canada, Ottawa, Ontario, Canada

Walker Arts Center, Minneapolis, Minnesota

Detroit Institute of Arts, Detroit, Michigan

Moderna Museet, Stockholm, Sweden

Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

Milwaukee Art Center, Milwaukee, Wisconsin

Wadsworth Atheneum, Hartford, Connecticut

National Gallery of Victoria, Melbourne, Australia