Artists

Anne and Patrick Poirier

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Biography

Born:Anne, Marseille, France, 1942
Patrick, Nantes, France, 1942
Live and work in Paris, France

SOLO EXHIBITIONS

2011“The Garden of Memory. Project for a Contemporary Necropolis,” Museo d’Arte Contemporanea Donna Regina Napoli, Italy; April 2 – May 23
2010Château de Chaumont, Chaumont-sur-Loire, France
2009Maison René Char, l’Isle-sur-la-Sorgue, France
Chapelle Saint-Charles, Avignon, France
2008JGM. Galerie, Paris, France
2006La fabrica della memoria, La Limonaia di Ponente di Villa La Màgia, Italy
Villa Medicea La Magia, Quarrata, Italy
2005Centre d’art contemporain André Malraux, Colmar, France
2004Centre d’art contemporain La Passerelle, Brest, France
“La Verrière” Bruxelles, Belgium
2003Exhibition, Kunstmuseum, Thun, Switzerland
2001C.R.E.D.A.C, Ivry-sur-Seine, France
1999Fragilité, Musée de l’Élysée Lausanne, Switzerland
Photographs, Chac Mool Gallery Los Angeles, CA
The Shadow of Gradiva, Getty Research Institute Los Angeles, CA
1997Le Parvis, Centre d’art contemporain, Ibos, France
1996“Ouranopolis,” Galerie Thaddaeus Ropac, Paris, France
“Quartos Duplos” Fondation Calouste Gulbenkian, Lisbon, Portugal
1995“Ouranopolis”, Sonnabend Gallery, NY
1994Palais Liechtenstein, Vienna
Museum Moderner Kunst Stiftung Ludwig, Vienna; Le Capitou, Centre d’Art Contemporain, Frejus
“Ex-voto”,  Eglise Saint-Nicolas, Caen, France
1993Studio G7/Ginevra Grigolo, Bologna
Galerie Dany Keller, Munich
Galerie Isy Brachot, Brussels
Obalne Galerije, Piran, Slovenia
“Tinglado 2”, Tarragona, Spain
1992Studio G7/Ginevra Grigolo, Bologna
Galerie Thaddaeus Ropac, Paris
Galleria Massimo Valsecchi, Milan
Bellas Artes, Santa Fe, NM
1991Galerie de Francony-Yaoama, Tokyo
Galerie Samuel Lallouz, Montreal, Canada
“Mnemosyne”, Sonnabend Gallery, NY
“Les Archives de L’Archeologue”, Galleria Studio G7/Ginevra Grigolo, Bologna, Italy
Galleriea Zelig, Bari, Italy
Galleria Massimo Valsecchi, Milan
1990“Lambeaux de Memoire et d’Oubli”, Galerie Reckermann, Cologne
“Depot de Memoire et d’Oubli”, Place de la Bastille, Paris
Galleria Valentina Moncada, Rome
Thaddaeus Ropac, Salzburg
Galerie Ingrid Dacic, Tubingen, Germany
1989“De la Fragilite du Pouvoir”, Galerie Daniel Templon, Paris, France
“Wandering into Memory”, Storm King Art Center, Moun¬tain, New York
1988Sonnabend Gallery, New York
Kunstforum Stadtische Galerie, Im Lenbachhaus, Munich
Studio G7/Ginevra Grigolo, Bologna, Italy
Galleria Meta, Bolzano, Italy
Dany Keller, Munich
1987Villa Merkel, Galerie der Stadt Esslingeng, Esslingeng, West Germany
Area Gallery, Barcelona, Spain
Ingrid Dacic Gallery, Tubingen, Germany
1986Middendorf Gallery, Washington, D.C.
“Promenade Classique”, public artwork, Transpotomac Canal Center, Alexandria, VA
Galerie Daniel Templon, Paris
1985Studio G7/ Ginevra Grigolo, Bologna, Italy
Arco d’Alibert, Roma
New Port Museum of Art, Los Angeles
Maison de la Culture, Grenoble, France
Musee de Montelimar, France
1984Galerie Daniel Templon, Paris
Sonnabend Gallery, New York
“Thunderstruck Landscape”, an Installation by Anne and Patrick Poirier, The Brooklyn Museum, Grand Lobby, New York, November 18
Galerie d’Art Hotel de Ville de Villeurbanne, (November 12-December 1, 1984)
1983“Anne et Patrick Poirier Le temple aux cent colonnes”, Musee d’Art Contemporain, Cite du Havre, Montreal Festival d’Automme, Chapelle Saint Louis de la Salpetriere, Paris
“Architettura e Mitologia”, Chiesa di San Carpoforo, Milan
1982“Statements”, Sonnabend Gallery, New York
Studio G7 Ginevra Grigolo, Bologne, Italy
Gallery Massimo Valsecchi, Milan
1981“Falaises de Marbre Fragments d’une Utopia”, Daniel Templon Gallery, Paris, France
Maison de la Culture, Chalon sur Saone, France
Villa Romana, Florence, Italy
“Frammenti di marmi e di parole”, Arco d’Alibert Gallery, Rome, Italy
Galerie de Ponchettes, Nice, France
Breda Museum, Holland
1980Gallery Massimo Valsechhi, Milan
Carpenter Center for the Visual Arts, Harvard University,
Sonnabend Gallery, New York
Studio G7   Ginevra Grigolo, Bologne, Italy
P.S. 1, New York
1979Galerie Sonnabend, Paris
Philadelphia College of Art, Philadelphia, Pennsylvania Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Palazzo dei Diamanti, Ferrara, Italy
Gallery Paul Maenz, Cologne, Germany
1978Galerie Sonnabend, Paris
Centre Georges Pompidou, Paris
Bonner Kunstverein, Bonn, Germany
Decor pour le Dom Juan De Moliere, Dusseldorf
Palais voor Schone Kunsten, Brussels, Belgium
Mannheimer Kunstverein, mannheim, Germany
“Projects”, Museum of Modern Art, New York
Sonnabend Gallery, New York
1977Galerie Sonnabend, Paris
Gallery Paul Maenz, Cologne, Germany
Gallery Massimo Valsecchi, Milan, Italy
CAPC, Musee d’Art Contemporain, Bordeaux, France
Maison de la Culture, Rennes, France
Neuer Berliner Kunstverein, Berlin
1975Galerie Sonnabend, New York
Danner’t Gallery, Copenhagen, Denmark
Gallery Paul Maenz, Cologne, Germany
1974Sonnabend Gallery, New York
Galerie Sonnabend, Geneva, Switzerland
Galleria Forma, Genova, Italy
Galerie Yellow Now, Liege
1973Gallery Paul Maenz, Cologne, Germany
Neue Galerie (Collection Ludwig), Aachen, Germany
Kunstverein, Rottweill, Germany
Galerie Sonnabend, Paris
1972Gallery Paul Maenz, Cologne, Germany
1970“Arco d’Alibert”, Rome, Italy

GROUP EXHIBITIONS

2000“Inner Eye: Contemporary Art from the Marc and Livia Straus Collection”, Neuberger Museum of Art, SUNY Purchase, Purchase, NY
1999Fragilité, Musée de l’Élysée Lausanne, Switzerland
Memoria Mundi, Foundation Mont Blanc New York, NY
Mémoire avant dispersion, Les Champs de la Sculpture Paris, France
1998Dérives Botaniques, Brussels, Belgium
Ensemble Moderne, Galerie Ropac Salzburg, Paris
Irresistible Decay, Getty Research Institute Los Angeles, CA
L’Ombra degli Dei, Bagheria, Italy
Hambourg War Game – Snooker, Pièce Unique Paris, France
Les larmes de l’oubli, Centre d’Art Contemporain
1997Biennale du Montenegro, Montenegro, Spain
Made in France, Centre Georges Pompidou Paris, France
1994“Irresistable Decay: Ruins in Modernity,” J. Paul Getty Museum, Los Angeles, CA
1993“The Frozen Leopard”, Galerie Bernd Kluser, Munich
“Force Sight II”, Schloff Presteneck, Stuttgart
Musee des Beaux-Arts, Belmonte
Arboretum, Holland
1992“The Frozen Leopard”, Galerie Bernd Kluser, Munich, Germany
“Force Sight I”, Schloff Presteneck, Stuttgart
1991“El Sueno de Egito (La Influencia del Arte Egipcio en el Arte Contemporaneo)”, Centro Cultural, Arte Contemporaneo, A.C., Mexico City, Mexico
“Masterworks of Contemporary Sculpture, Painting and Drawing:  The 1930’s to the 1990’s”, Bellas Artes, Santa Fe, NM
“Masterworks of Contemporary Sculpture, Painting and Sculpture”, Bellas Artes, Santa Fe, NM
“Jerry Kearns:  Body and Soul”, Meyers Bloom Gallery, Santa Monica, CA
“Consorts”, Pence Gallery, Santa Monica, CA
“Sculpture from the Straus Collection”, Steinman College Center, Franklin & Marshall College, Lancaster, PA
“History as Fiction”, Meyers-Bloom Gallery, Santa Monica, CA
“So stel ich mir die Liebe vor”, Dany Keller Gallery, Munich
1990“Team Spirit”, Neuberger Museum, SUNY at Purchase, Purchase, NY; Cleveland Center for Contemporary Art, Cleveland, OH;  Vancouver Art Gallery, Vancouver, British Columbia, Canada;  The Art Museum of Florida
1989“Encore: Celebrating Fifty Years”, The Contemporary Arts Center, Cincinnati, OH
“Pyramiden”, Galerie Jule Kewenig, Frenchen Bachen, West Germany
“Weiner Diwan:  Sigmund Freud Heute”, Museum des 20, Jahrhunderts, Vienna
1988“Collection Sonnabend”, Centro de Arte Reina Sofia, Madrid, Capc, Musee d’art Contemporain, Bordeaux; Art Cologne, Cologne; Hamburger Bahnhof, Berlin; Galleria Nazionale d’Arte Moderna, Rome; Museo d’Arte Moderna e Contemporanea, Trent; Musee Rath, Geneva; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art; Kyoto
“Classical Myth and Imagery in Contemporary  Art”,  The Queens Museum, New York
“Visions/Revisions”/ Marlborourgh Gallery Inc., New York, (exhibition catalogue)
1987“Sacred Spaces”, Everson Museum, Syracuse, NY
“Romanticism & Classicism”, Queensborough Community College, C.U.N.Y., Bayside, NY
“Avant Garde in th Eighties”, Los Angeles County Museum of Art, Los Angeles, CA
“Zauber Der Medusa”, Kunstlerhaus,Vienna,Austria
“Selections from X)1”, Organized by Saul Ostrow, Damon Brandt Gallery
“Nature Redifined, A Cultural Perspective”, Piezo Electric, New York
1986“Art from Two Continents”, Bruce Helander Gallery, Palm Beach, Florida
“Olympus Revisited”, Summit Art Center, Summit, NJ
Artsite Gallery, Exterior Sites, Bath, England
1985“The Classic Tradition” In Recnt Painting and Sculpture”, The Aldrich Museum of Contemporary Art, Connecticut (May – September 1)
“Sculpture: The Language of Scale”, The  Bruce  Museum, Greenwich, Connecticut (September 15 – December 1)
“Artists + Architects Challenges in Collaboration”, curator Joyce Pomeroy Schwartz, Cleveland Center for Contemporary Art (October 4 – November 16)
1984“Individualites”, Turin, Galerie Nationale d’Art Moderne, Rome, Italy
Museo di Viterbo, Viterbo, Italy
“Biennale of Venice”, Venice, Italy
“Collaboration”, Hirshhorn Museum, Smithsonian Institution, Washington
“Voices Contemporary Art and Artists”, at The Brooklyn Museum, New York
1983“Connections”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
“Biennale de Sculpture de Middelheim”, Anvers
“Adamah, la terre”, ELAC, Lyon, France
1982“Twelve Contemporary French Artists”, Albright Knox Art Gallery
“Stadt und Utopie”, Kunsthalle, Berlin
“Vergangenheit, Gegenwart, Zukunft”, Stuttgart
“In chartis”, Museo Archeologico Pistoia, Fattoria di Celle, Spoleto, Italy
“Museum Van Hedendaagse Kunst Gent”, Palais dea Beaux Arts, Brussels
1981“Working Drawings”, Hunter College Gallery, Hunter College, New York (travelling show)
“Schemes”, Elise Meyer Gallery, New York (travelling Show)
“Imaginary Civilizations”, Tyler Galleries of Art, Temple University, Philadelphia, PA
Fran Franckricre, Stockholm
“Autoportraits Photographiques”, Centre Georges Pompidou, Paris, France
“New Concepts for a New Art”, Museum of Modern Art, Toyama
“Mithos und Rituals”, Kunsthaus, Zurich; Kunstverein, Hamburg
1980“Architectural Sculpture”, curated by Debra Burchett, Los Angeles Institute of Contemporary Art (September 30   November 21)
“Architectural References”, Vancouver Art Gallery, Vancouver, Canada
“Architectural References in the Seventies”, Los Angeles Institute of Contemporary Art, Los Angeles, CA
“Yesterday & After”, Musee des Beaux Arts de Montreal, Canada International Sculpture Conference, Washington
“Visual Diaries”, Alex Rosenberg Gallery, New York
“Esperienza a Bordeaux”, XXXIX Venice Biennale, Italy
“Tendances de l’art en France 1969 79, parti pris autres”, ARC, Musee d’Art Moderne de la Ville de Paris
“Years 70th”, Gand Grey Art Gallery, New York University, NY
“Cartes et Figures de la Terre”, C.C.I., Centre Georges Pompidou, Paris
1979“Europe in the 70’s: Aspects of Recent Art”, The Contemporary Arts Center, Ohio (December 1 January 31, 1979)
“Imaginary Worlds”, Rosa Esman Gallery, New  York
“An European Dialogue”, Sydney
“French Art, an English Selection”, Galerie Serpentine, London
1978“The Fantasy Show”, Thorpe Intermedia Gallery, Sparkhill, N.Y.
“Kunstlehren”, Kunstverein, Karlsruhe, Germany
“Couples Show”, P.S.1 Institute for Arts & Urban Resources, Lon Island City, New York
“Europe in the 70’s: Aspects of Recent Art”, The Hirshhorn Museum and Sculpture Garden Smithsonian Insitute, Washington D.C. (march 16/May 7, 1978); The San Francisco Museum of Modern Art, San Francisco, California (June 23   August 6, 1978)
The Fort Worth Art Museum, Fort Worth, Texas (September 24  October 29 , 1978)
1977Documents, Kassel, Germany
“Europe in the 70’s: Aspects of Recent Art”, Art Insitute of Chicago, Illinois
“Visual Daries a personal use of words and images”, Museum of Art, Sarasota, Florida
“Time”, Pennsylvania College of Art, Philadephia, PA
1976“Biennale Venice”, Venice, Italy
“Group Photography Show”, The Jerusalem Museum, Jerusalem, Israel
“Art et Photographic”, Maison de la Culture, Rennes, France
“06 Art 76”, University Art Museum, Berkley, California
Sarah Campbell Blaffer Gallery, University of Houston, Texas;
Neuberger Museum, Purchase, New York
“Photographic Process as Medium”, Rutgers University, New Brunswick, NJ “Narrative in Contemporary Art”, University of Guelph, Guelph, Ontario, Canada
“Illusions of Reality”, Australian National Gallery, Canberra, Australia
“Identite, Identification”, CAPC, Bordeaux, France
1975“Pour Memoire”, Musee des Beaux Arts, Charleroi, France Musee d’Arles, Arles, France
“34th Exhibition”, Society for Contemporary Art, Art Institute of Chicago
1974Kunstmarkt, Cologne, Germany
“Spurensicherung”, Kunstverein, Hamburg, Germany
“Spurensicherung”, Kunstverein, Munich, Germany
“Die Verloren Identitat”, Stadtisches Museum, Leverkusen, Germany
“Project 74”, Kunsthalle, Cologne, Germany
“Tempo e Ricognizione”, Gallery La Bertesca, Milan, Italy
Studio Marconi Gallery, Milan, Italy
“10 Artistes Contemporains”, Galerie Paul Maenz, Cologne, Germany
1973“Biennale des Jeunes”, Musee d’Art Moderne, Paris, France
“Octobre a Bordeaux”, Musee des Beaux Arts, Bordeaux
1971Grands et Jeunes d’Aujourd’hui, Paris, France
1970Universal Exposition, Osaka French Pavillion

BIBLIOGRAPHY
ARTICLES AND REVIEWS

1994Nesweda, Peter. “Anne and Patrick Poirier: Museum Moderner Kunst.” Artforum,  Sept. Vol. XXXIII, No. 1, p. 115
1993Cox, M. “Jardins des Artistes.” Abrams, NY
Sans, J. “Naufragis, Tinglado 2, Tarragona
Clot, M. “Naufragis, Tinglado 2, Tarragona
1992Protzman, Ferdinand. “Peter the Great.” Artnews, Feb. pp. 74-79
Deggiovanni, Piero. “Anne e Patrick Poirier:  Edizioni d’arte Renografica, Tema Celeste, Jan./Mar. p. 101
Bell, David. “Art Market.” Albuquerque Journal, July 2, p. 4
1991Turner, Jonathan. “Giuliano Gori: Skeletons, Stairways and Thunderbolts”, Artnews, January, pp. 75-78
Dalesio, Gabriella. “Anne and Patrick Poirier,” Contemporanea, Jan. pg. 108
Broude, Norma. “Report from Washington II:  Alternative Monuments,” Art in America, Feb. pgs. 73-81
“Team Spirit:  Cleveland Center for Contemporary Art,” Dialogue, Arts in the Midwest, Jan./Feb. pg. 34
Levin, Kim. “Collective Conscious:  Contemporary Sculpture Collaborations,” Sculpture Magazine, March/April, pp. 32-39
Perret, Catherine and Bonfand, Alain.  “Anne & Patrick Poirier.” Galeries Magaizne, Apr./May, pp. 83-87, 141
Duncan, Ann.  “Imitation ruins from an imaginary past.” The Gazette, Sat. May 4
Dumont, Jean.  “Dans l’epaisseur de la memoire.” Le Devoir, Sat. June 1, p. C8
Castle, Frederick, Ted.  “Anne & Patrick Poirier.” Arts Magazine, Sept. p. 69
Heartney, Eleanor.  “Anne and Patrick Poirier at Sonnabend Gallery.”  ArtNews, pp. 124 + 125
Cameron, Dan.  “History as Fiction.” Artspace, Fall, pp. 51-53
Kandel, Susan.  “‘History as Fiction.” Los Angeles Times, Aug. 29, p. F12
Schwendenwien, Jude.  “Anne and Patrick Poirier, Sonnabend Gallery, New York.” Sculpture, Nov./Dec. pp. 56-57
1990Bann, Stephen.  “Did the Greeks Believe in Their Myths: On Classic Ground at the Tate”, Artnews, December, pp. 75-79
1989Berko, Susan.  “Anne and Patrick Poirier: Daniel Templon, Paris”‘ Flash Art, Mar./Apr., pg.123
Kuspit, Donald.  “Anne and Patrick Poirier at Sonnabend,” Art in America, Mar. pgs.152 + 153
Abramo, Patricia Cambell.  “Indoor, outdoor, sculptures abound at Storm King,” Focus, May 31, pg.  Fl
Santos, William.  “‘Wit’s End’ finds a new home at Art Center.” Southeast Orange News, June 1, pg. 12
Nieves, Evelyn.  “Sun days are for art lovers,” Go, The Times Herald Record/June 2
“At Storm King, Sculpture Amid Green Galleries.” The New York Times, June 18, Sec. 1 pg. 38
Pucci, Bob.  “Towering monoliths on acres of manicured lawn.” Hudson Valley Life, Sunday, June 18, pg. 1C
Macleod, Pamela, J. .’Sculpture: on the Lawn of the Mountain King,” The Wall Street Journal, June 6, pg.A26
Wallach, Amei.  “Sculpted Summer.” New York Newsday, Friday, July 21
Peake, Lauren.  “Artistic Playground.” Orange, July/August, pgs.14-25
Calnek, Anthony.  “A Scientist Collects,” (Collection of Marc Straus), Contemporanea, July/August, pp. 48-53
Kimmelman, Michael.  “Poiriers and Vuillard, in Upstate New York and Westchester.” The New York Times, Friday, August 4, pg. C23
Lempka, Wayne.  “Sculptors’ Storm King show is stunning.” Poughkeepsie Journal, Sunday, August 6, pg. 3F
Zimmer, William.  “Architecture and Mythology Combine at Storm King Center.” The New York Times, August 27, pg. 22
Larson, Kay.  “Loose Marbles,” New York Magazine, August 28, pg.64
Gibson, Eric.  “Anne and Patrick Poirier at Storm King Art Center, Mountainville,” Sculpture, Oct.
Berman, Eleanor.  “Storm King sets man’s creations in nature’s gallery.” New York Post, Tuesday, Oct. 10, pgs. 13 + 34
Phillips, Patricia, C.  “Anne and Patrick Poirier, Storm King Art Center,” Artforum, Nov. pg. 155
1988Raven, Arlene. “Queens,” The Village Voice, May 10, pg.100
1987Criton, Sonia.  “Review at Daniel Templon,” Flash Art, Feb./Mar., pg.128
Sergeant, Georgia.  “Promenade Classique,” International Sculpture , Jan./Feb. pgs.22 25 (repros.) Freed, Stacey.  “Review: TransPotomac Canal Center,” Jan./Feb. pg.23
Selz, Peter.  “Alternative Aesthectics: Quests for Spiritual Quintessence,” Arts Magazine, Oct. pgs 46 49
1986Watkins, Eileen, “Greek myths retain hold on comtemporary” The Sunday Star Ledger, June 1, 1986, N.J.
Lemos, Peter, “Love and Sculpture Among the Ruins”, Review, Elle, December 1986.
Ggib el, Victoria.  “Artist + Architect + Corporation”, Art & Auction, November 1986, PP. 190 195.
Forgey, Benjamin.  “The Winning Waterfront”, The Washington Post, Saturday, October 18, 1986.
1985Eleanor Heartney, ArtNews, (Review) Anne and Patrick Poirier at Sonnabend and Brooklyn Museum, January Kathie Beals, Gannet Westchester Newspapers, (Life-styles), Wednesday, June 12
Philip Eliasoph, Southern Connecticut Newspapers, Inc., Contemporary classics, Sunday, June 23
1984Borel, F. Arte  Factum, Anne et Patrick Poirier    La Genese du temps, no. 3, April May, pp.44 – 47
Michael Brenson, The New York Times, Friday, October 5
Kim Levin, Voice, October 9
1983-84Parachute, December-January-February  83-84
1983A. B. Oliva, Art Press, Paris, January
G.Metken, Beaux Arts Magazine, October
D.Renard, Canal, October
D.Roche, Art Press, Paris, September
1982P. Bloch, L. Pesenti, Artistes, September
G. Durozoi, Canal, January
X Girard, Art Press, Paris, February
M.Huth, Connaissance des Arts, January
Ida Panicelli, Artforum, New York
E. Vedrenne, Decoration Internationale, September
1981C. Millet, Art Press, Paris, February Victoria Donohoe, Philadelphia Inquirer, Imaginary Civilizations is Rife with Imagination, Sunday, November 15
M. Bouisset, Le Matin, Paris December 28 J.M. Tasset, Le Figaro, Paris, December 16
1980Hilton Kramer, The New York Times, “Today’s Avant Garde Artists Have Lost the Power to Shock”, Sunday, November 16
Kenneth Baker, Artforum, Anne and Patrick Poirier at The Carpenter Center for the Visual Arts, Harvard University, Cambridge, September, pp. 75 76
Douglas Balu, Arts Magazine, Anne and Patrick Poirier, vol. 55, no. 4, December, p. 12
B.R. Kologe, Art New England, June
G. Lascault, Cornets d’artistes, Galerie Le Dessin, Paris
A and P. Poirier, Artforum, February
Barbara Cavaliere, Arts Magazine, (Review) Anne and Patrick Poirier at Sonnabend, vol. 55, no.4, December, p. 55
1979C.Pezzoni, Gran Bazar, Italy, September-October
1978M. Bouisset, Encyclopedia Universalis
P.Cabanne, Le Matin, Paris, January 23
B.Catoir, Frankfurter Allgemeine, Germany, April 28
B.Catoir, Kunstwerk, Germany, June
G.Cortenova, La Creazione volgeva alla fine, Genova, Italy
J.L. Henning, Liberation, January 13
F.Huser, Le Nouvel Observateur, January 23-29
G.Lascault, La Quinzaine Litteraire, February 1-15
G.Lascault, B. Piens, Les Musees Personnels, Paris
G.Metken, Spurensicherung, Cologne, Germany
G.Metken, Kunstmagazin, no. 3, Germany
J.Michel, Le Monde, Paris, January 18
A.Pohlen, Flash Art, Milan, Italy
H.Reuther, Frankfurter Allgemeine, Germany, June 27
K.Ruhrberg, Kunstmagazin, no. 3, Germany
A.Tronche, Opus International, no. 65
B.Urdgang, Art in America, New York, May June
1977G. Brerette, Le Monde, Paris, March 24
L.Carluccio, Panorama, Italy, February 22
J.Clarence Lambert, Preface a A. et P. Poirier, Domus Aurea, Archeologie fiction, Paris Bruxelles
G.Durozoi, Canal, no. 5
0.Hahnn, L’Express, January 17
1975Renato Barilli, La Ripetizione differente, Milan
1974D. Helms, Frankfurter Allgemeine, Germany, May 3 Effie Stefano, Art and Artists, London, September Robert Pincus Witten, Artforum, New York, April Sylvia Dupuis, Art Press, Paris
Gerrit Henry, Art News, March
1973J. Darriulat, Combat, October 18
J.Darriulat, Combat, November 26
H.Demoriane, Le Point, October 22
Gilbert Lascault, Vingtieme Siecle, Paris, XL
Werner Lippert, Extra, Cologne, Germany
1972J. Clair, Art en France, une nouvelle generation, Paris
J.Clair, Art Vivant, no. 32, Paris
G.Metken, Frankfurter Allgemeine, August 10, Germany

BOOKS, CATALOGUES AND PERSONAL PUBLICATIONS

1997“Fagility,” Sonnabend Gallery, Galerie Thaddaeus Ropac, Massimo Martino Fina Arts & Projects, published in Italy by Skira
1994“Anne and Patrick Poirier”, Museum Moderner Kunst Stiftung Ludwig, Vienna, Electa
1993“Mnemosyne”, Galerie Isy Brachot, Brusselles
1992“Mnemosyne”, Galerie Thaddaeus Ropac, Paris
1991“Art Since Mid-Century:  1945 to the Present”, by Daniel Wheeler, The Vendome Press, New York
“Anima mundi”, Galerie Samuel Lallouz, Montreal
1985“The Classic Tradition – In Recent Painting and Sculpture”, Essay by Robert Metzger (Director),
The Aldrich Museum of Contemporary Art, Connecticut
“Sculpture: The Language of Scale”, The Bruce Museum, Greenwich, Connecticut
“Artists + Architects   Challenges in Collaboration”, curator Joyce Pomeroy Schwartz, Cleveland Center for Contemporary Art
1984“Anne et Patrick Poirier  “Exhibition at the  Chapelle Saint Louis de la Salpetriere and at the  Galerie
Daniel Templon, Galerie Daniel Templon Editions, Paris
“Anne et Patrick Poirier”, Service Culturel de Villeurbanne, November
1983“Connections”, by Janet Hardon, Institute of Contemporary Art University:of Pennsylvania
“Anne et Patrick Poirier – Voyages etc … 1969 – 1983”, Electa Editions, Milan, Italy
1982“Mondo Perdido”, Art Press, Paris, October
1981“Fragmetns d’un Journal Anonyme”, Bicephale
“Anne and Patrick Poirier   Fragments d’un Journal
Anonyme”, Maison de la Culture Chalon-sur-Saone
1980“A G.D. Neumitz”, Taxis, October
“Architectural Sculpture”, Los Angeles Institute of Contemporary Art, California, p. 80
“Architectural References”, The Vancouver Art Gallery, Canada
1979“140 Notes Around a Round Utopia”, Paris
1978“Anne and Patrick Poirier Fascination des Ruines”, Domus Aurea, by Gilbert Lescault, Centre Georges Pompidou, Paris, France
“Ann and Patrick Poirier” at Le Palais des Beaux Arts de Bruxelles and at Le Palais Voor Schone  Kunsten, Bruxelles, “Petit Guide a l’Usage  des Voyagers”, Bruxelles
“A G.D. Neumitz”, Kunstforum, no. 28, April
1977“Time”, Philadelphia College of Art, Pennsylvania
“Europe in the 70’s: Aspects of Recent Art”, curator A.James Speyer, The Art Insitute of Chicago, Illinois
1975“Les Paysages Revolus”, Sonnabend Editions, Paris “Les Realites Incompatibles”, Martin Berg Editions, Copenhagen, Denmark
1974“A la Memoire de Romulus”, Yellow Now Editions, Liege
1973“Anne Poirier Patrick Poirier Romische Antike”, by Alten Kurhaus, Neue Galerie

PUBLIC COLLECTIONS

Ludwig Museum, Vienna
Ludwig Museum, Cologne
Ludwig Museum, Aachen, Germany
Israel Musem, Jerusalem
Musee des Beaux Arts, Montreal
Musee d’Art Modern de la Ville de Paris
National Galerie, Berlin
Centre National d’Art Contemporain, Paris,
Musee National, Jerusalem, Israel
Neue Galerie, Aachen, Germany (Collection Dr. Peter Ludwig)
Museum of Modern Art, Krefeld, Germany
Museum of Modern Art, Sydney, Australia
Smithsonian Collection of Fine Arts, Washington, D.C.
Montreal Museum of Fine Arts, Montreal, Canada
Australian National Gallery, Canberra, Australia
The Tate Gallery, London, England
Musee d’art Contemporain, Montreal, Canada
Guggenheim Museum, New York
Musee Cantini, Marseille
Musee de Mantes, France
Frac, Bretagne, France
Frac, Midi-Pyrennes, France
Frac, Provence, Cote d’Azur, France

LITHOGRAPHIC EDITIONS

Rome, de Dominicis Editions
Cologne, Paul Maenz Editions
Rottweil, Kunstverein Editions
France, Manufacture de Sevres
Paris, Galerie Eolia
Paris, Artcurial

PERMANENT INSTALLATIONS

1990“Exegi Monumentum”, Pierre Ferrenbach Collection, Colmar, France
“Oculus Memoriae”, Staadt Archiv Platz, Munich
“Exegi Momentum”, Private Collection, Boccaraton, Fla
“New Archetyes”, Washington Tower, Seattle
1989/90“Un giardino a Torino”, Private Collection, Torino
1989“Hommage a Claude-Nicolas Ledoux”, Le Ponant, Paris
“The Fall of the Giant”, Joel and Sherry Malin Collection, Poundridge, NY
1988“Exegi Monumentum Aere Perennius”, Museo Pecci, Prato, Italy
1986“Petite mise en scene au bord de l’eau”, Private Collection, Washington
“L’ame du voyageur endormi”, La Mas Saint-Anne, Lourmarin, France
“Petite mise en scene au bord de l’eau”, Giardino di Villa Demidoff, Pratolino, Italy
1985/86“Promenade Classique”, Alexandria, Virginia
1984/85“La Fontaine des Geants”, Place du Tonkin, Villeurbanne, France
“La grande colonne noire de Sucheres”, Auto-route Clermont-Ferrand, Saint-Etienne, France
1983“Mimas”, Jardin du Musee d’Epinal, France
“Encelade”, Jardin du Musee Picasso, Antibes, France
1982“La morte di Efialte”, Fattoria di Celle, Pistoia, Italy

THEATRE SCENE PAINTINGS

1990“Depot de Memoire et d’Oubli”, Anfitheatre de l’Opera Bastille, Paris
1989“Ella”, by Artenbush, Anfiteatro del Museo Pecci, Prato Italy
1985“Julius Cesar”, by Handel, Teatro dell’Opera, Rome
1978“Don Juan”, by Moliere, Dusseldorf