Rona Pondick


1952 Born in Brooklyn, New York


1977 M.F.A., Yale University School of Art
1974 B.A., Queens College


Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Boston Museum of Fine Arts, Boston
Brooklyn Museum of Art, Brooklyn, New York
Centre Pompidou, Paris
DeCordova Sculpture Park + Museum, Lincoln, Massachusetts
Denver Art Museum, Denver, Colorado
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Fondation pour l’art contemporain Claudine et Jean-Marc Salomon, Annecy, France
High Museum of Art, Atlanta, Georgia
Houghton Library, Harvard University, Cambridge, Massachusetts
The Israel Museum, Jerusalem
Los Angeles County Museum of Art, Los Angeles
The Morgan Library & Museum, New York
Museum of Contemporary Art, Los Angeles
National Gallery of Art, Washington, D.C.
New Orleans Museum of Art, Sculpture Garden, New Orleans, Louisiana
New York Public Library, New York
Norton Family Foundation, Santa Monica, California
The Progressive Collection, Cleveland, Ohio
Rooseum, Malmö, Sweden
The Rose Art Museum, Brandeis University, Waltham, Massachusetts
Savannah College of Art & Design, Savannah, Georgia
Simmons College, Boston
Sinai Temple, Los Angeles
Toledo Museum of Art, Toledo, Ohio
United States Information Service, Washington, D.C.
University Art Museum, University of California at Santa Barbara, California
Ursula Blickle Stiftung, Kraichtal, Germany
Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina
Whitney Museum of American Art, New York
Worcester Art Museum, Worcester, Massachusetts


2013 Sonnabend Gallery, New York
2012 Galerie Thaddaeus Ropac, Paris
2010 Nassau County Museum of Art, Roslyn, NY, Metamorphosis: Rona Pondick
Galerie Thaddaeus Ropac, Editions Space, Salzburg, Rona Pondick: The Metamorphosis of an Object
2009 Worcester Art Museum, Worcester, Massachusetts, Rona Pondick: The Metamorphosis of an Object
Howard Yezerkski Gallery, Boston
2008 TR3, Ljubljana, Slovenia, Rona Pondick, Head in Tree and other works 1999–2008
Die Internationale Stiftung Mozarteum, Salzburg, Austria, Rona Pondick
2006 Galerie Thaddaeus Ropac, Salzburg
Sonnabend Gallery, New York
2004 Museum of Contemporary Art Cleveland, Cleveland, Ohio
Akira Ikeda Gallery, Taura, Japan, 1987–2001
2003 Cranbrook Art Museum, Bloomfield Hills, Michigan, Sculpture 1992–2003
2002-03 DeCordova Museum and Sculpture Park, Lincoln, Massachusetts
Groninger Museum, Groningen, Netherlands
2002 Galleria d’Arte Moderna Bologna, Bologna, Italy
Sonnabend Gallery, New York
Galerie Thaddaeus Ropac, Paris
2001 Patricia Faure Gallery, Santa Monica, California
1999 Rupertinum Museum für moderne und zeitgenössische Kunst, Salzburg, Positionenreihe 7
1998 Howard Yezerski Gallery, Boston
1997 Sidney Janis Gallery, New York, tree head room
1996-97 Brooklyn Museum of Art, Lobby Project, Brooklyn, New York, Mine
1996 Brooklyn Academy of Music, Next Wave Festival (site: Brooklyn Museum of Art), Brooklyn, New York, Mine (conceived and directed by Rona Pondick and Robert Feintuch; collaborators: Sara Rudner, Jennifer Tipton, and William Matthews)
Susan Inglett, I. C. Editions, New York
Patricia Faure Gallery, Santa Monica, California
Howard Yezerski Gallery, Boston
1995 Cincinnati Art Museum, Cincinnati, Ohio, New Art 4
Jose Freire Fine Art, New York
1993 Howard Yezerski Gallery, Boston
Jose Freire Fine Art, New York
1992 The Israel Museum, Jerusalem, Pink and Brown
Galerie Thaddaeus Ropac, Paris
Transepoca, Milan
1991 Beaver College Art Gallery, Glenside, Pennsylvania, Scrap, a site-specific installation
Asher-Faure Gallery, Los Angeles
fiction/nonfiction, New York, Foot and Mouth
1990 Asher-Faure Gallery, Los Angeles, mamamamama
1989 The Institute of Contemporary Art, Boston, Currents
fiction/nonfiction, New York, Bed Milk Shoe
Hillman Holland Gallery, Atlanta, Georgia
1988 Sculpture Center, New York, Beds
fiction/nonfiction, New York


Krampf Gallery, Istanbul, Turkey
RH Gallery, New York, A Discourse on Plants
Brand New Gallery, Milan, Italy, Changing States of Matter
Contemporary Jewish Museum, San Francisco, CA, Do Not Destroy: Trees, Art, and Jewish Thought
2011-2012 Philadelphia Museum of Art, Philadelphia, Pennsylvania, Everyday Disturbances
2011 Sonnabend Gallery, New York, One Room Show
The Solomon R. Guggenheim Foundation, Venice, Italy, Ileana Sonnabend: An Italian Portrait
Hudson Valley Center for Contemporary Art, Peekskill, New York, Circa 1986
Galerie im Traklhaus, Salzburg, Austria, Froschbärfant und andere Tiere in der Kunst
Pera Museum, Istanbul, Turkey, Fundamentally Yours: Visual Art and Neuroscience
Howard Yezerski Gallery, Boston, Naked
Macao Museum of Art, Macao, China, Speaking with Hands
Rhona Hoffman Gallery, Chicago, Never Let Me Go
Valentina Bonomo Roma, Rome, Italy, American Dream
Trustman Art Gallery, Simmons College, Boston, Simmons Collects: Celebrating Women Artists
Worcester Art Museum, The Museum’s Collection of Art Since the Mid-20th Century
Sonnabend Gallery, New York, One Room Show
2010 Royal Institution of Australia, The Science Exchange, Adelaide, Australia, The Uncanny Valley
Sonnabend Gallery, New York
Weatherspoon Art Museum, Greensboro, North Carolina, Odd Bodies: Selections from the Permanent Collection
2009-10 Mori Art Museum, Tokyo, Japan, Medicine and Art: Imagining a Future for Life and Love
2009 Fundament Foundation, park De Oude Warande, Tilburg, The Netherlands, Stardust
Sonnabend Gallery, New York
Daelim Contemporary Art Museum, Seoul, Korea, The Buhl Collection: Speaking with Hands
2008 Sonnabend Gallery, New York
Worcester Art Museum, Worcester, Massachusetts, Human Nature(s)
Hudson Valley Center for Contemporary Art, Peekskill, New York, Origins
Sonsbeek 2008, Arnhem, Netherlands, Sonsbeek 2008: Grandeur
Palais des Beaux-Arts de Lille, Lille, France, Goya. Les Caprices & Chapman, Morimura, Pondick, Schutte
Cultural Services of the French Embassy, New York, The Florence and Daniel Guerlain Collection: Dessins
2007 Sonnabend Gallery, New York
Galerie Thaddaeus Ropac, Salzburg, Exposures: The Contemporary Self-Portrait
Howard Yezerski Gallery, Boston, Unnatural: Neeta Madahar and Rona Pondick
Whitney Museum of American Art, New York, Uncontained
2006 Ursula Blickle Stiftung, Kraichtal, Germany, Eccentrics
CAM Gallery, Istanbul, Turkey, Ego
Galerie Thaddaeus Ropac, Salzburg
2005 Chelsea Art Museum, New York, Francisco de Goya: Los Caprichos and Here Comes the Bogey-Man
Hudson Valley Center for Contemporary Art, Peekskill, New York, Figure It Out
Fondation pour l’art contemporain Claudine et Jean-Marc Salomon, Annecy, France, Collection 2
Howard Yezerski Gallery, Boston, Head Count
Sonnabend Gallery, New York
Kunst der Gegenwart Sammlung Essl, Vienna, Austria, Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection
2004 Howard Yezerski Gallery, Boston, Some of Their Parts
Allen Memorial Art Museum, Oberlin, Ohio, Making the Body in Contemporary Sculpture
Galerie St. Etienne, New York, Animals and Us: The Animal in Contemporary Art
Sonnabend Gallery, New York
2003 DaimlerChrysler, Berlin, A Dialogue of Two Collections: Ileana Sonnabend, New York and DaimlerChrysler
Galerie Thaddaeus Ropac, Salzburg, Skulptur 03
Museum für Angewandte Kunst, Frankfurt, Germany, Triennial 9 Form and Contents: Corporal Identity—Body Language (traveled to Museum of Arts and Design, New York)
Jacksonville Museum of Modern Art, Jacksonville, Florida, Skin: Contemporary Views of the Body
Sonnabend Gallery, New York
2002 Tang Museum, Skidmore College, Saratoga Springs, New York, From Pop to Now: Selections from the Sonnabend Collection (traveled to Wexner Center for the Arts, The Ohio State University, Columbus, Ohio)
Deutsche Bank, New York, Text/Textile
Sonnabend Gallery, New York
2001 Yale University School of Art, New Haven, Connecticut, Alumni Choice
2000 Sonnabend Gallery, New York, Sculpture
Biennale d’art contemporain de Lyon, Lyon, France, Sharing Exoticism
Koldo Mitxelena Cultural Centre, Donostia–San Sebastian, Spain, Acts of Resistance
Sonnabend Gallery, New York, Anniversary Exhibition
Torch Gallery, Amsterdam, Netherlands, Blondies and Brownies
1999 Kunsthaus Mürzzuschlag, Mürzzuschlag, Austria, Der Anagrammatische Körper (in cooperation with Neue Galerie Landesmuseum Joanneum Graz; traveled to Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany)
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, Calendar 2000
Parsons School of Design, New York, Drawing in the Present
Speed Art Museum, Louisville, Kentucky, The Body in Question: Tracing, Displacing and Remaking the Human Figure in Contemporary Art
PaineWeber Art Gallery, New York, Comfort Zone: Furniture by Artists
1998 Susan Inglett, I. C. Editions, New York, Multiples + Editions
The Rose Art Museum, Brandeis University, Waltham, Massachusetts, Contemporary Sculpture and Sculptors’ Drawings
Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina, Art on Paper
Groninger Museum, Groningen, Netherlands, What Remains MCMLXXXXVII
Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida, Inner Eye: Contemporary Art from the Marc and Livia Straus Collection (traveled to Knoxville Museum of Art, Knoxville, Tennessee; Georgia Museum of Art, Athens, Georgia; Chrysler Museum of Art, Norfolk, Virginia)
Landesgalerie Oberösterreich Landesmuseum, Linz, Austria, Sculpture Figure Women: Forms of Representation of the Female Body (traveled to Kunstsammlungen, Chemnitz, Germany)
MIT List Visual Arts Center, Cambridge, Massachusetts, Mirror Images: Women, Surrealism, and Self-Representation (traveled to Miami Art Museum, Miami, Florida; San Francisco Museum of Modern Art, San Francisco)
Los Angeles County Museum of Art, Los Angeles, From Head to Toe: Concepts of the Body in Twentieth-Century Art
1997 Patricia Faure Gallery, Santa Monica, California, Lust
2nd Johannesburg Biennale, Johannesburg, South Africa, Alternating Currents
Rhona Hoffman Gallery, Chicago, No Small Feet
Caren Golden Fine Art, New York, Frankensteinian
Galerie Thaddaeus Ropac, Paris, Sous le manteau
Contemporary Art Museum, University of South Florida, Tampa, Florida, New Grounds: Prints and Multiples
1996 Fabric Workshop and Museum, Philadelphia, Millennium Eve Dress (traveled to Contemporary Art Center, Cincinnati, Ohio)
The Rose Art Museum, Brandeis University, Waltham, Massachusetts, The Persistence of Pop
Florida State University Museum of Fine Arts, Tallahassee, Florida, Body Language
John and Mable Ringling Museum of Art, Sarasota, Florida, Embedded Metaphor (traveled to Dalhousie Art Gallery, Halifax, Nova Scotia; Western Washington University, Bellingham, Washington; Bowdoin College Museum of Art, Brunswick, Maine; Virginia Beach Center for the Arts, Virginia Beach, Virginia; Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut)
Hand Workshop Art Center, Richmond, Virginia, B.A.B.Y.
UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History
Jewish Museum, New York, Too Jewish? Challenging Traditional Identities (traveled to Jewish Museum, San Francisco; UCLA at the Armand Hammer Museum and Cultural Center, Los Angeles; Contemporary Museum, Baltimore)
The Institute for Contemporary Art (Clocktower Gallery), New York, Home/Salon (Salon of the Present)
University Galleries, Illinois State University, Normal, Illinois, Frankenstein
1995 Whitney Museum of American Art, New York, Altered and Irrational
The Museum of Contemporary Art, Los Angeles, Intersections: The Personal and the Social in the Permanent Collection
Armory, Philadelphia, Pennsylvania, The Figure/The Body: American Art 1945–1995
New Jersey Center for the Visual Arts, Summit, New Jersey, The Outer Layer
Elga Wimmer, New York, Women on the Verge (Fluxus and Not)
Galerie Enrico Navarra, Paris, Autour de Roger Vivier (traveled to Hong Kong, Taiwan, and Japan)
The South Bank Centre, London, Fetishism: Visualizing Power and Desire (traveled to Brighton Museum and Art Gallery, Brighton; Nottingham Castle Museum and Art Gallery, Nottingham; The Sainsbury Centre for Visual Arts, University of East Anglia, Norwich)
Configura 2, Erfurt, Germany, Dialog der Kulturen
Galerie Thaddaeus Ropac, Salzburg and Paris, The Muse? Transforming the Image of Women in Contemporary Art
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, Inside Out: Psychological Self-Portraiture
Rosemont College Art Gallery, Rosemont, Pennsylvania, Foundations: Underwear/Under Where?
Herter Art Gallery, University of Massachusetts at Amherst, Amherst, Massachusetts, Imperfect (traveled to Tyler Art Gallery, Philadelphia)
Huntington Gallery, Massachusetts College of Art, Boston, Object Lessons: Feminine Dialogue with the Surreal
Howard Yezerski Gallery, Boston, Robert Feintuch, John O’Reilly, Rona Pondick
1994 Weatherspoon Art Gallery, University of North Carolina at Greensboro, North Carolina, Thirteenth Annual Exhibition of Art on Paper
Stedelijk Museum Bureau, Amsterdam, Netherlands, Puber Alles (Why Am I Who I Am?)
Turman Gallery, Indiana State University, Terre Haute, Indiana, Object Bodies
UCLA Wight Gallery, Los Angeles, Bad Girls
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, In the Lineage of Eva Hesse
1993 Palazzo della Stelline, Milan, Normality as Art
Bonner Kunstverein, Bonn, Germany, Über-Leben
Rhona Hoffman Gallery, Chicago, Legend in My Living Room
William Weston Clark Emison Art Center, DePauw University, Greencastle, Indiana, Object Bodies
The Drawing Center, New York, Return of the Cadavre Exquis
Arthur Roger Gallery, New Orleans, Louisiana, Regarding Masculinity
Art Finds: Marsha Fogel Gallery, East Hampton, New York, Venice Comes to the Hamptons
Biennale di Venezia, Venice, “I Love You More Than My Own Death: A Melodrama in Parts by Pedro Almodovar”
Yale University Art Gallery, New Haven, Connecticut, Yale Collects Yale
Exit Art, New York, 1920
Elisabeth Kaufman, Basel, Switzerland, Korper I, Annette Messager, Giuseppe Penone, Rona Pondick, Wilfried Riess, Klaudia Schifferle, Anselm Stalder
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, Fall from Fashion
Thread Waxing Space, New York, I Am the Enunciator
1992 MIT List Visual Arts Center, Cambridge, Massachusetts, Corporal Politics
Carnegie Museum of Art, Pittsburgh, Pennsylvania, Effected Desire
Frankfurt-am-Main, Germany, Spielholle, Aesthetics and Violence
Fullerton Art Gallery, California State University, Fullerton, California, Bedroom Eyes: Room with a View
Heckscher Museum, Huntington, New York, The Edge of Childhood
AB Galerie, Paris, Erotiques
Thread Waxing Space, New York, Mssr. B’s Curio Shop
Barbara Toll Fine Arts, New York, Hands and Eyes (Modeled Sculpture)
fiction/nonfiction, New York, The Whole Part: John Coplans, Rona Pondick, and John Wesley
Kunsthalle, New York, Psycho
The Gallery of the Art Institute of Chicago, Power Play
1991 Whitney Museum of American Art, New York, 1991 Whitney Biennial
Hudson River Museum, Yonkers, New York, Experiencing Sculpture: The Figurative Presence in America, 1870–1990
Solo Press, New York, Sense and Sensibility
Blum Helman Warehouse, New York, Plastic Fantastic Lover (Object A)
Rena Bransten Gallery, San Francisco, The Childhood Show
Galería Fernando Alcolea, Barcelona, Rope
Jack Tilton Gallery, New York, Forbidden Games
The Hyde Collection, Glen Falls, New York, Just What Is It That Makes Today’s Homes So Different, So Appealing?
1990 Galerie Thaddaeus Ropac, Salzburg, Vertigo II
Greenberg/Wilson Gallery, New York, Collaborations
Galerie Thaddaeus Ropac, Paris, Vertigo
Asher-Faure Gallery, Los Angeles, The Home Show
Morris Museum, Morristown, New Jersey, Diverse Representations
Emily Sorkin Gallery, New York, Body, Once Removed
Jack Tilton Gallery, New York, Detritus: Transformation and Construction
Marc Richards Gallery, Los Angeles, Spellbound
White Columns, New York, Fragments, Parts, and Wholes: The Body and Culture
1989 Hillwood Art Gallery, CW Post Campus, Long Island University, Brookville, New York, and BlumHelman Warehouse, New York, Lines of Vision: Drawings by Contemporary Women
Asher/Faure Gallery, Los Angeles, Summer Group Show
fiction/nonfiction, New York, Invitational with Gallery Artists
Doug Milford Gallery, New York, Invitational
Simon Watson Gallery, New York, Erotophobia: A Forum in Contemporary Sexuality
Emily Sorkin Gallery, New York, Form and Fetish
Fine Arts Museum of Long Island, Hempstead, New York, On the Cutting Edge
Greenberg/Wilson Gallery, New York, Towards Form
1988 Santa Barbara Museum of Art, University of California at Santa Barbara, California, Collaborations in Monotype: Garner Tullis Workshop (traveled to Archer M. Huntington Art Gallery, University of Texas, Austin; Cleveland Museum of Art, Cleveland, Ohio)
New Museum of Contemporary Art, New York, Girls Night Out (Femininity as Masquerade)
Simon Watson Gallery, New York, Invitational
White Columns, New York, Sculpture 1988: A Salon of Small-Scale Work
Lyman-Allyn Art Museum, New London, Connecticut, New Artists/New Drawings
Galerie Alfred Kren, Cologne, Germany, The Other New York: Sculpture by Maureen Connor, Rona Pondick, and Kate Ritson
1987 Sculpture Center, New York, Small Works
Zabriskie, New York, Summer of 1987
fiction/nonfiction, New York, Contemplating Things: A Sculpture Group Show in Two Parts; Part One: Polly Apfelbaum, Jill Levine, and Rona Pondick
Zabriskie, New York, Peter Flaccus, Helen Miranda Wilson, and Rona Pondick
Carl Solway Gallery, Cincinnati, Ohio, The Level of Volume
1986 Sculpture Center, New York, Emerging Sculptors: 1986
Jack Tilton Gallery, New York, Invitational
Richard Green Gallery, New York, Transformations
John Davis Gallery, Akron, Ohio, Invitational
Parsons School of Design, New York, Sculptors’ Drawings
1985 Jersey City Museum, Jersey City, New Jersey, Mystery Show
Rosa Esman Gallery, New York, Friends of the Gallery
Lafayette College, Easton, Pennsylvania, Working with Wood
1984 Madeleine Carter Fine Arts, Brookline, Massachusetts, Exhibition One: Jill Levine, Marilyn Levin, Rona Pondick
Rosa Esman Gallery, New York, Exceptional and New
Prospect Park, Brooklyn, New York, Bronze Sculpture


2000 Cultural Department of the City of Salzburg, Kunstlerhaus
1999 Bogliasco Foundation Fellowship
1996 Rockefeller Foundation Fellowship
1992 Guggenheim Fellowship
1991 Mid-Atlantic Arts Grant
1988 Art Matters Inc.
New York State Council on the Arts (for Beds installation)
Artists Space Grant
1985 Ludwig Vogelstein Foundation Grant
1977 Fannie B. Pardee Prize in Sculpture


To download selected articles, reviews, and essays please visit
Bui, Phong.  “In Conversation, Rona Pondick with Phong Bui.” The Brooklyn Rail, March 2013, cover, pp. 24-27.
Wright, Ava. “Artists: Altmejd, Pondick and Johnson.” Contemporary Art Globally Speaking (March 2013): n. pag. Web. 8 March 2013
Changing States of Matter (Milan, Italy: Brand New Gallery, 2012), pp. 5, 48-49.
“Changing states of matter.”  May 31, 2012.
“‘Changing states of matter’ at Brand New Gallery, Milan.”  Mousse Magazine.  July 6, 2012.
“Interview, Rona Pondick, ‘Drawings and Sculptures.’” AMA Newsletter 60 (Paris, France: Art Media Agency, July 13, 2012), p. 24.
Kracht, Gigi O.  “Sunshine’s Nook, The Art of Eve in the Big Apple and Beyond.”  Views, The Baur Au Lac Magazine, Edition 2012, p. 60.
Liuzzi, Sara.  “Bis alla Brand New Gallery di Milano: Cristina Lei Rodriguez | Changing States of Matter.”  International Business Times, May 30, 2012.
Nahmod, David Elijah.  “Trees of life, An exploration of San Francisco’s Contemporary Jewish Museum’s new exhibit, ‘Do Not Destroy: Trees, Art and Jewish Thought.’”  The Times of Israel, February 26, 2012.
Phillips, Ian.  “Ad Bei…Thaddaeus Ropac.”  Architectural Digest, Die Schönsten Häuser Der Welt, No. 132, September 2012, pp. 240-241.
Solomon, Dara.  Do Not Destroy: Trees, Art, and Jewish Thought (San Francisco, CA: Contemporary Jewish Museum, 2012), pp. 15, 73.
Turton-Turner, Pamela.  “The ‘Maternal’ Feminist: Exploring the Primal in Women’s Art.”  Studies in the Maternal, Volume 4, Issue 1, 2012, pp. 9-15.
2011 Anker, Suzanne.  “Fundamentally Human: Contemporary Art and Neuroscience.”  Fundamentally Human (Istanbul, Turkey: Pera Museum, 2011), pp. 23-53, 74-77.
Armstrong, Richard.  Ileana Sonnabend, An Italian Portrait (Venice, Italy: The Solomon R. Guggenheim Foundation, 2011), p. 9.
Artoni, Margherita.  “Interview with Rona Pondick.”  American Dream (Rome, Italy: Valentina Bonomo Roma, 2011), pp. 34-41.
Bulut, Ümran.  “‘Temelde Insan’ ve ‘Ihsan Cemal Karaburçak’ sergileri 3 Temmuz’ a dek Pera Müzesi’nde, Baska türlü manzaralar.”  Cumhuriyet, Günlük Ulusal Gazete, June 16, 2011, p.16.
Cahill, Zachary.  “‘Never Let Me Go,’ Rhona Hoffman Gallery.”  Artforum, June 2011.
Carvani, Ilaroa.  “American Dream, Roma, Galleria.”  16 April 2011  .
Circa 1986.  Exh. Cat. (Peekskill: Hudson Valley Center for Contemporary Art; Amsterdam: Black Cat Publishing, 2011), cover, pp. 45, 70.
Codognato, Mario.  Ileana Sonnabend, An Italian Portrait (Venice, Italy: The Solomon R. Guggenheim Foundation, 2011), pp. 96-97.
De Sanctis, Linda.  “Sogno a stele e strisce tra acquarelli e collage.”  La  26 March 2011, p.21  .
“Dream Team.”  Ilgiornaledell’  April 2011  .
Ferri, Patrizia.  “American Dream, Valentina Bonomo, Roma.”  Flash, La prima rivista d’arte in Europa. April 2011 .
Laferriere, Catherine.  “Naked.”  Artscope Magazine, v. 6 no. 3, July/August 2011, p. 12.
Manzari, Fabrizio.  “American Dream XXI secolo.”  Sguardo Contemporaneo, cura e critica d’arte.  April 2011  .
McQuaid, Cate.  “In the flesh.”  The Boston Globe, July 20, 2011.
Oynar, Hande.  “In Focus at Pera Museum: Human Nature.”  The Guide Istanbul, May-June 2011, pp. 74-77.
“Philip Rylands presents the exhibition ‘Ileana Sonnabend.  An Italian Portrait.’” Online Posting.  YouTube, 14 June 2011.  Web. .
Swinand, Sue.  “Arts and Ideas #9, Rona Pondick Sculpture Exhibit” Online Posting.  YouTube, 18 January 2011.  Web.  .
Weiermair, Peter.  “Dietgard Grimmers Zoo.”  Froschbärfant und andere Tiere in der Kunst (Salzburg, Austria: Galerie im Traklhaus, 2011), pp.11-12, 27.
2010 “Fotos bei Ropac, Zirkuswelten in der Altstadt.” Kronen Zeitung, Salzburg, January 24, 2010, p. 26.
MacAdam, Barbara A. “Self-Portrait as Muskrat, Monkey, and Mouse,” ARTnews, May 2010, pp. 92-97.
Palmer, Carleton. “Metamorphoses: Rona Pondick at NCMA March 13 through May 23,” Long Island Contemporary Arts Examiner, March 6, 2010.
“Vernissage, Galerie Ropac.” Salzburger Nachrichten, January 23, 2010, p. 23.
2009 Bergeron, Chris. “Rona Pondick’s sculptures are an amalgam of the ancient and the modern.” The Metrowest Daily News, May 17, 2009, pp. C1, C7.
Bey, Dawoud. “A Couple of Thoughts in/on Passing: Rona Pondick and Roy DeCarava.” What’s Going On?  Dawoud Bey’s Blog,, November 2, 2009.
Braat, Manon. “Rona Pondick.” Grotto / Stardust, park De Oude Warande, Fundament Foundation, Tilburg, The Netherlands, June 27-September 27, 2009.
Clark, Shaula. “States of the Art, New England Museums Worth Traveling For.” Summer Guide, Supplement to the Boston Phoenix, June 12, 2009, p. 14.
Gilman, Amy. Toledo Museum of Art Masterworks (Toledo, Ohio: Toledo Museum of Art, 2009), p. 357.
Fifield, George. “Rona Pondick: The Art of Using Technology.” Rona Pondick: The Metamorphosis of an Object (Worcester, Massachusetts: Worcester Art Museum, 2009), pp. 107–112.
Hart, Dakin. “A Museum of Rona Pondick’s Making.” Rona Pondick: The Metamorphosis of an Object (Worcester, Massachusetts: Worcester Art Museum, 2009), pp. 29–41.
Houston, Joe. “Envisioning Origins, An artful look at our formation.” Phi Kappa Phi Forum, Spring 2009, pp. 16-17.
Kaneda, Shirley. “Rona Pondick.” Bombsite, The Artist’s Voice Since 1981, Web Exclusive,, Bomb Magazine, New Art Publications, October 8, 2009.
Lloyd, Ann Wilson.  “Rona Pondick, Worcester Art Museum.” Art in America, November 2009, pp. 199-200.
McQuaid, Cate. “This ‘Metamorphosis’ spans centuries.” The Boston Globe, April 26, 2009.
McQuaid, Cate. “Fluent in confluences.” The Boston Globe, September 23, 2009, pp. 2, 4.
Miller, Francine Koslow.  “Rona Pondick, Worcester Art Museum/Howard Yezerski Gallery.” Artforum, December 2009, pp. 238-239.
Plumb, Taryn. “Rona Pondick: The Metamorphosis of an Object.” Artscope Magazine, July/August 2009, pp. 24–25.
Princenthal, Nancy. “Of Two Minds: Pondick’s Hybrid Sculptures in Historical Context.” Rona Pondick: The Metamorphosis of an Object (Worcester, Massachusetts: Worcester Art Museum, 2009), pp. 43–49.
Stoops, Susan L. “Visceral Meaning: How Sculptors See.” Rona Pondick: The Metamorphosis of an Object (Worcester, Massachusetts: Worcester Art Museum, 2009), pp. 11–27.
Wei, Lilly. “Arnhem, The Netherlands, Sonsbeek 2008.” Sculpture, June 2009, pp. 76-77.
“Worcester Art Museum.” Sculpture, September 2009, p. 21.
2008 “Au Palais des Beaux-Arts de Lille, Goya, le grand dénonciateur.” La Gazette Nord-Pas de Calais, May 8, 2008, p. 12.
C.S. “Les Beaux-Arts s’offrent un Caprice, Le musée expose pour la première fois dans son intégralitè une série de gravures de Goya.” Métro, April 23, 2008.
“Caprices fabuleux d’hier et d’aujourd’hui.” Lille Magazine, May 2008, p. 39.
Carton, Virginie. “Rona Pondick, enfant de Goya, au palais des Beaux-Arts.” La Voix du Nord, June 12, 2008.
Cotentin, Régis. “Actualités des Caprices.” Goya. Les Caprices & Chapman, Morimura, Pondick, Schutte. Exh. cat. (Paris: Somogy Éditions d’Art; Lille: Palais des Beaux-Arts de Lille, 2008), pp. 35–­51.
Cotentin, Régis. “Rona Pondick: ­The other side of reality.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat. (Ljubljana, Slovenia: TR3, 2008), pp. 21–29.
Doudelet, Roland. “Pérennité de la série « Les Caprices » au palais des Beaux-Arts de Lille, A la lumière de Goya.” Le Jeudi, May 8, 2008.
Eshoo, Amy. A New York Drawing Collection at Work, 1991–2006 (New York: Fifth Floor Foundation; New Haven: Yale University Press, 2008), pp. 155, 162, 171–72.
Flouque, Sophie. “Gravure Éternels « Caprices ».” Le Journal des Arts, May 23 – June 5, 2008.
Gauyat, Pierre. “Côté expo, « Goya, les Caprices » au Palais des Beaux-Arts de Lille, Les pensées illustrées.” Liberté Hebdo, June 13-19, 2008, pp. 22-23.
Gilsoul, Guy. “Goya le terrible.” Le Vif / L’express, June 20, 2008, p. 111.
“Goya in Lille en Parijs, Los Caprichos Toen en Nu,” Fine Arts Magazine, Summer 2008.
“Goya – Les caprices.” Mémoire des arts, July-August 2008, p. 13.
“Goya: Les Caprices.” The Bulletin, April 24, 2008, p. 13.
Heartney, Eleanor. Art & Today, (London: Phaidon Press Limited; New York: Phaidon Press Inc., 2008), pp. 208, 210.
Houston, Joe. “The Alchemical Forest.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. (Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008), pp. 89–107.
“Installation, Orchestration minutieuse pour « Caprices » d’hier et d’aujourd’hui.” La Voix du Nord, April 18, 2008.
Koplos, Janet. “Out of the Woods, Two sculpture exhibitions in Dutch parks last summer translated their intellectual programs into compelling visual encounters.” Art in America, October 2008, pp. 80-85.
“Kritiki, Otvoritev kiparske razstave Rone Pondick, ‘Glava na drevesu,’ TR3, Ljubljana.” [Review, Opening of an exhibition of works by the sculptor Rona Pondick, ‘Head in Tree,” TR3, Ljubljana]. Mladina, October 17, 2008, p. 63.
“L’expo Goya s’installe aux Beaux-Arts.” Métro, April 17, 2008.
L.G.  “L’installation, c’est tout un art!” Nord Éclair, April 20-21, 2008.
“Lille, Goya et ses caprices.” Voyages Voyages, June 2008.
“Lille, Le palais des Beaux-Arts termine l’installation Goya.” La Voix du Nord, April 17, 2008.
MacAdam, Barbara A. “Rona Pondick.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat. (Ljubljana, Slovenia: TR3, 2008), pp. 15–17.
Martí, Octavi. “La muy española primavera francesa,” El Pais, May 10, 2008.
Megla, Maja. “Zanima me biti zrcalo.” [“I’m interested in being a mirror” (Interview)]. Mag, October 29, 2008, pp. 64-66.
Méreau, Julia. “Des Caprices de Goya à Rona Pondick.” Nord Éclair, June 12, 2008.
Moniez, Laurie. “Palais des Beaux Arts, Des Caprices de Goya savoureux.” Nord Éclair, April 25, 2008, p. 7.
Mrevlje, Ne�a. “Kiparstvo: Med hladno umetnostjo in prepričljivostjo.” [Sculpture: Between the cold and the art of persuasiveness]. Indirekt, October 15, 2008, p. 12.
Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick, Head in Tree and other works 1999–2008. Exh. cat. (Ljubljana, Slovenia: TR3, 2008), pp. 33–36.
Myers, Terry R. “Rona Pondick’s Animal Magnetism.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. (Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008), pp. 50–61.
O.A. “Les Beaux-Arts soulignent la modernité de Goya.” 20 minutes, April 25, 2008.
“On en Reparlera, Goya au palais des Beaux-Arts.” La Voix du Nord, April 24, 2008.
Piras, Sebastian. A Pocketful of Contemporary Aritsts (Mulgrave Victoria, Australia: Peleus Press, 2008), pp. 182-83.
Racic, Irena. “Rona Pondick, Preddverje stolpnice TR3, Ljubljana.” [Rona Pondick, Hall towers TR3, Ljubljana]. Indirekt, October 13, 2008, p. 14.
Seban, Alain. Collection Florence and Daniel Guerlain: Dessins New York 2008. Exh. cat. (Les Mesnuls, France: Ammiimages, 2008).
Soyez, Fabien. “Les Caprices de Goya de retour aux Beaux Arts.” La Croix du Nord, May 9-15, 2008.
Theyrez, Emmanuelle. “Goya, ‘capricieux’ et intemporel.” Face Grand, May 2008.
Tilroe, Anna. “Wisdom–Rona Pondick.” Sonsbeek 2008: Grandeur. Exh. cat. (Arnhem, Netherlands: Thieme Art, Deventer, Stichting Sonsbeek Internationaal, 2008), pp. 81–87, 262, 273.
Tilroe, Anna. “Rona Pondick.” Sonsbeek 2008: Grandeur. Visitor guide. (Arnhem,
Netherlands: Stichting Sonsbeek Internationaal, 2008), pp. 14–15.
Urbancic, Vojko. “Napovedujemo, Rona Pondick, Galerija TR3, Ljubljana.” [Announcement: Rona Pondick, TR3 Gallery, Ljubljana]. Delo, October 11, 2008,
p. 20.
Urbancic, Vojko.  “Novost, Rona Pondick.” [Newness: Rona Pondick]. Delo, October 13, 2008, p. 10.
Voiturier, Michel.  “Goya, actuel car intemporel.” Courrier de l’escaut,” July 12, 2008.
Vouters, Bruno. “À Lille, les Caprices de Goya jouent les prolongations!” La Voix du Nord, May 24, 2008.
Wally, Barbara. “Rona Pondick Interviewed by Barbara Wally.” Rona Pondick: Works / Werke, 1986–2008, New York, Salzburg. (Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008), pp. 6-39.
Weiermair, Peter. “Reflections on an Exhibition at the Rupertinum Museum for Modern and Contemporary Art.” Rona Pondick: Works / Werke 1986–2008, New York, Salzburg. (Paris/Salzburg: Galerie Thaddaeus Ropac; New York: Sonnabend Gallery, Salzburg: Internationale Sommerakademie für Bildende Kunst, 2008), pp. 39–45.
Zigon, Petra.  “Zgodba o uspehu, Rona Pondick, Razmišljam z rokami!” [Story of Success: ‘I think with my hands,’ (Interview)] Obrazi, October 23, 2008, p. 79.
2007 Cameron, Dan, Peter B. Lewis, and Toby Devan Lewis. Foreword by Toni Morrison. ArtWorks: The Progressive Collection (New York: Distributed Art Publishers, 2007), pp. 154–55.
Collins, Judith. Sculpture Today (London: Phaidon Press Limited; New York: Phaidon Press Inc., 2007), pp. 90, 94.
McQuaid, Cate. “Exploring the Mysteries of ‘Cosmoses.’” Boston Globe, August 2, 2007, p. E8.
Posner, Helaine, and Nancy Princenthal. After the Revolution: Women Who Transformed Contemporary Art (Munich: Prestel Verlag, 2007), pp. 43–45, 141.
2006 “Rona Pondick.” New Yorker, April 26, 2006, p. 30.
Johnson, Ken. “Rona Pondick.” New York Times, April 14, 2006, p. E32.
Weiermair, Peter. Eccentrics. Exh. cat. (Kraichtal, Germany: Ursula Blickle Foundation, 2006), pp. 5–7, 76–84, 120–23, 130–31.
2005 Piguet, Philippe. Collection 2. Collection Claudine et Jean-Marc Salomon. Exh. cat. (Annecy, France: Fondation pour l’art contemporain Claudine et Jean-Marc Salomon,2005), pp. 4, 94–99.
Steffen, Barbara, and Mary Anne Redding. Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York. Exh. cat. (Vienna:Edition Sammlung Essl, 2005), pp. 114, 139, 146, 274.
2004 Anker, Suzanne, and Dorothy Nelkin. The Molecular Gaze: Art in the Genetic Age (New York: Cold Spring Harbor Laboratory Press, 2004), cover, pp. 62, 64.
Biro, Matthew. “Rona Pondick: Sculpture, 1992–2003.” Art Papers (January/February 2004), pp. 50–51.
Morrisroe, Julia. “Rona Pondick: Sculpture, 1992–2003.” Dialogue (March/April 2004), pp. 35.
Ostrow, Saul. “Rona Pondick: Mixed Fictions.” Angle 16 (September/October 2004),
p. 9.

Richards, Judith Olch. “Rona Pondick.” Inside the Studio (New York: Independent Curators International, 2004), pp. 10, 162–65.
“Rona Pondick: ‘Recent Work’ at MOCA Cleveland.” Bridge (June/July 2004).
Starker, Melissa. “Hit the Road: Photographer Annie Leibovitz and Sculptor Rona Pondick Lure Art Fans to Cleveland.” Ohio News Bureau, July 14, 2004, p. 14.
Tranberg, Dan. “Classical and Digital Worlds Inspire Sculpture.” Plain Dealer, May 22, 2004, pp. E1, E6.
Tranberg, Dan. “What Separates Us from Animals? You’d Be Surprised.” Plain Dealer, July 30, 2004, p. 46.
2003 Chessler, Suzanne. “Taking Cues from Kafka.” Jewish News, September 26, 2003.
Cohen, Keri Guten. “Sculptor Puts Herself into Her Work.” Detroit Free Press, September 28, 2003, p. 6E.
Colby, Joy Hakanson. “If You Can Get Past the Opening, You’ll Enjoy the Exhibit.” Detroit News, October 18, 2003.
Fifield, George. “Rona Pondick’s Monsters of Fear and Desire.” Sculpture (September 2003), pp. 34–39.
Green, Roger. “Artists Armed with Body Parts.” Ann Arbor News, November 9, 2003, p. C4.
Haddad, Natalie. “The Metamorphosis.” Detroit Weekly, November 12, 2003, p. 25.
Heeger, Susan. “Spiritual Roots.” Los Angeles Times Magazine, September 21, 2003, pp. 24–28.
Johnson, Ken. “The New Season/Art.” New York Times, September 7, 2003, p. 97.
Kinghorn, George. “Substance of Skin.” Skin: Contemporary Views of the Body. Exh. cat. (Jacksonville: Jacksonville Museum of Modern Art, 2003), pp. 6, 26–27.
MacCash, Doug. “Carving Out an Art Garden.” Times-Picayune, November 21, 2003, pp. 21–24.
Mannistoe, Glen. “Metallic Poses: Rona Pondick’s Arresting Hybrids.” MetroTimes, October 15, 2003, pp. 26–27.
Seidel, Claudia, and Rachel Haidu. A Dialogue of Two Collections: Ileana Sonnabend and DaimlerChrylser. Exh. cat. (Berlin: Daimler Chrylser Contemporary, 2003), pp. 13, 30–31.
Stafford, Nicole. “What Do You See?” Observer & Eccentric, September 25, 2003, cover, pp. E11, E15.
2002 Basile, diFranco. “Visionaria Rona. Alla GAM.” Il Resto del Carlino, April 5, 2002, xxx.
“Beelden van Rona Pondick in Groninger Museum.” DB v/h N. ed. Stad en Haren, Db v/h N. ed. Drenthe Noord, September 14, 2002, p. 23.
Camhi, Leslie. “An Artist’s Metamorphosis: Zoo Story.” Village Voice, April 30, 2002, p. 63.
Camonchia, Sabrina. “Corpi ibridi dell’arte. Undici sculture di Rona Pondick alla GAM.” Il Domani, Il Stampa, April 10, 2002, p. 14.
Cozzolino, Francesca. “Rona Pondick.” Flash Arte, June 21, 2002.
“Denti e orecchie metamorfiche. Bologna, Galleria d’arte moderna.” Il Giornale delle Arte (June 2002), p. 20.
Eccher, Erica. “Acciaioghiaccio—Rona Pondick.” Exibart, no. 2 (May 2002), p. 14.
“Expositie van Pondick in Groninger Museum.” Leeuwarder CRT ed. Stad, Leeuwarder Crt ed. Zuid, September 9, 2002, p. 11.
Haidu, Rachel. From Pop to Now: Selections from the Sonnabend Collection. Exh. cat. (New York: Distributed Art Publishers, 2002), pp. 144–45, 180.
Henser, Chilla. “Audacious Rona.” First Class Paris, April 9, 2002, p. 20.
Keikes, André. “Fabeldieren van de toekomst.” Leeuwarder CRT ed. Zuid, Leeuwarder CRT ed. Stad, October 11, 2002, pp. 32–33.
Koplos, Janet. “Rona Pondick: Orchestrated Obsessions.” Art in America (September 2002), pp. 114–19.
MacAdam, Barbara A. “Rona Pondick.” Art News (Summer 2002), pp. 177–78.
Maurel, Michel. “Rona Pondick, Sculptures.” Bienvenue sur Nouba, March 2, 2002.
Mine, Molly. “Rona Pondick.” Paris Capitale (February 2002).
Pollack, Barbara. “Working Vacation.” Village Voice, July 23, 2002, pp. 46–47.
Princenthal, Nancy. “A Dreamlike Melding of Human, Beast and Steel.” New York Times, April 7, 2002, pp. 33, 35.
Reitsman, Ella. “Kunst.” Vrij Nederland (September 2002), p. 84.
Robinson, Walter. “Weekend Update.” artnet Magazine, April 29, 2002.
“Rona Pondick.” Kunstbeeld (September 2002).
“Rona Pondick.” Man (August 2002).
Rosen, Anna. “Rona Pondick.” Urbuz, March 5, 2002.
Sigalotti, Annamaria. “L’arte liminale di Rona Pondick.” Art & Job Magazine, March 22, 2002, p. 32.
Spadoni, Claudio. “Silicone e acciaio per rimodellare Terminator.” Il Resto Carlino, April 21, 2002, p. XXX.
Steinberg, Claudia. “Schimaren Bologna. Rona Pondick.” Kunstzeitung (June 2002),
p. 15.
Temin, Christine. “Exhibit Puts Disturbing Face on Sculptor’s Work.” Boston Globe, August 28, 2002, pp. D1, D6.
Tomasette, Tatlana. “Rona Pondick espone alla GAM di Bologna.” Arte al limite (April–May 2002), p. 13.
Torresin, Brunella. “Specci d’arte. L’umanità anfibia di Rona Pondick.” La Repubblica, April 10, 2002, p. 8.
Van Der Beek, Wim. “Rona Pondick.” Kunstbeeld (December 2002).
Van Der Zijpp, Sue-an. “Beyond the Order of Things.” Rona Pondick. Exh. cat. (New York: Sonnabend Press, 2002), pp. 4–5.
Van Der Zijpp, Sue-an. “The Transformations of Rona Pondick.” Groninger Museum Magazine (October 2002–January 2003), pp. 8–13, 20–23.
Weiermair, Peter. “Considerations about the Work of Rona Pondick.” Rona Pondick. Exh. cat. (New York: Sonnabend Press, 2002), pp. 7–10.
Werkhoven, Isabella. “Wonderlijke wezens van Rona Pondick.” DB v/h N. ed. Stad en Haren, Dv v/h N ed. Drenthe Noord, September 9, 2002, p. 42.
Zaya, Octavio. “Rona Pondick: The Metamorphosis of an Object Maker: An Interview with Rona Pondick.” Rona Pondick. Exh. cat. (New York: Sonnabend Press, 2002), pp. 111–39.
Zaya, Octavio. “Rona Pondick: The Metamorphosis of an Object Maker.” Flash Art (March–April 2002), pp. 76–77.
2001 Fifield, George. “Mindshare: Headshrinker.” artbyte (January–February 2001), pp. 6, 20–21.
Fifield, George. “Rona Pondick.” Bomb 77(Fall 2001), pp. 103–04.
Mondloch Loreto, Katie. “Rona Pondick.” Tema Celeste (Summer 2001), p. 92.
Morgan, Margaret. “Rona Pondick.” artext 74 (August–October 2001), p. 87.
Ollman, Leah. “Pondick’s ‘Dirthead’ Powerfully Depicts Grisly Effects of Mankind’s Evil History.” Los Angeles Times, May 4, 2001, p. F20.
Phelan, Peggy, and Helena Reckitt. Art and Feminism (London: Phaidon Press, 2001), pp. 18, 163, 276.
2000 Baer, Josh. “Art by Numbers.” New York, June 19, 2000, p. 14.
Balken, Debra Bricker. “Drawing in the Present Tense.” Exh. cat. (New York: Parsons School of Design), pp. 36–37.
Fifield, George. “Rona Pondick: Lifelike, Unnatural, Hybrid Sculptures Address Questions of Fear and Desire.” Art New England 221 (December–January 2000), pp. 3, 75.
Gabriel, Nelly. “Biennale. L’art contemporain mondial à la Halle.” Lyon Figaro, June 27, 2000, pp. 21–22.
Kaufman, Jason Edward. “Grasping the Global.” artnet Magazine (July 2000), pp. 1–4.
Levin, Kim. “Border Crossings.” Village Voice, July 26–August 1, 2000.
Martin, Jean-Hubert. “L’Express. Biennale d’art contemporain de Lyon.” Exh. broch. (Lyon, France: Lyon Biennale, 2000), pp. 8–12.
Martin, Jean-Hubert. “Partage d’Exotismes.” 5ème Biennale d’art contemporain de Lyon. Exh. cat. (Lyon, France: Lyon Biennale, 2000), vol. 2, pp. 32–33, 210.
Princenthal, Nancy, and Janet Zweig. Chain 7: memoir/antimemoir (Manoa: University of Hawaii, Manoa, 2000), pp. 155, 241.
Weibel, Peter. Der Anagrammatische Korper. Exh. cat. (Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie Karlsruhe, 2000), sec. 1, p. 19.
Zaya, Antonio. Erresistentziak Resistencias. Exh. cat. (San Sebastian, Spain: Koldo Mitxelena Kulturunea Donostia–San Sebastian, 2000), pp. 52–55, 156–59, 170.
1999 Guggenberger, Ulrike. “Ert auf den Schrottplatz.” Salzburger Nachrichten, August 6, 1999, p. 15.
Mechelen, Marga van. “Ekelkunst als Diskurs über die Geschlecter.” Zeitschrift für Semiotik 21, no. 3, 1999, pp. 374–77.
Motsschlmaier, W. “Positionsreihe 7.Salzburger Nachrichten, July 21, 1999, p. 10.
“Salzburger Festspiele Rupertinum,” Salzburger Nachrichten, July 24, 1999, p. 33.
Schneider Adams, Laurie. Art Across Time (Boston: McGraw-Hill College, 1999), pp. 934–35.
Von Kreibig, Uwe. “Erstes Raumschiffzur Venus.” Free Press, 1999.
Wolf, Robert. “Rupertinum. Rona Pondick zeight beeindruckende Installationen in Humaner Gesinnung.” SVZ, July 21, 1999, p. 9.
1998 Berends, Jeroen. “What Remains.” Groninger Museumkrant (Fall 1998), pp. 13–14.
Bristowe, Anthea. “Johannesburg Biennial 1997.” Art News (January 1997), pp. 141–42.
Camhi, Leslie. “Woman on the Verge: Yayoi Kusama Returns Right on Time.” Village Voice, July 14, 1998, p. 37.
Chadwick,Whitney. Mirror Images, Women, Surrealism, and Self-Representation (Cambridge, Mass.: MIT Press, 1998), pp. 20–21, pl. 3, 24.
Giuliano, Charles. “Rona Pondick: Works on Paper and Artist’s Books.” Howard Yezerski Gallery, Boston, June 1998. Online review:
Greben, Deidre Stein. “Rona Pondick.” Art News (February 1998), p. 120.
Harris, Susan. “Rona Pondick.” Skuptur—Figur—Weiblich. Exh. cat. (Linz, Austria: Landesgalerie Oberosterreich Landesmuseum, 1998), pp. 135–38.
Heartney, Eleanor. “Report from Johannesburg: Mapping the Postcolonial.” Art in America (June 1998), pp. 51–55.
Hixson, Kathryn. “Business as Usual? Art World Post-Nationals in a New Nation State: The 1997 Johannesburg Biennale.” New Art Examiner 25 (March 1998), pp. 27–31.
Hoptman, Laura. “The Return of Yayoi Kusama.” Museum of Modern Art Bulletin (July/August 1998), p. 8.
Landi, Ann. “Beating the Post-Show Blues.” Art News 97 (November 1998), pp. 156–58.
McQuaid, Cate. “Drawing on the Mantra ‘I Want.’” Boston Globe, June 4, 1998, pp. E1–E4.
Pondick, Rona. 12345 (Boston: Howard Yezerski Gallery, 1998).
Princenthal, Nancy. “Artist’s Book Beat.” On Paper 2 (July–August 1998), pp. 50–55.
Silver, Joanne. “Ears Speak of Longing in Pondick’s Drawings.” Boston Herald, May 2, 1998.
Temin, Christine. “Two Blossoms at the Rose.” Boston Globe, December 11, 1998, pp. D1, D12–13.
Wilson, William. “‘Head to Toe’ Mixes Education, Fun.” Los Angeles Times, February 1998, p. F10.
Zaya, Octavio, and Antonio Zaya. “Desde Sudafrica.” Atlántica Internacional Revista de las Artes 19 (Winter 1998), pp. 10, 123–24.
Zelevansky, Lynn. “Driving Image: Yayoi Kusama in New York.” Love Forever: Yayoi Kusama, 1958–1968. Exh. cat.(Los Angeles: Los Angeles County Museum of Art, 1998), p. 30.
Zimmer, William. “Inviting or Not, What Do Beds Mean?” New York Times, October 4, 1998, p. 18.
1997 Arkhipoff, Elisabeth, and Sarah de Haro. “Sous le manteau.” Nova Magazine (March 1997).
Deans, Jeanie. tree head room. Exh. cat. (New York: Sidney Janis Gallery, 1997).
Enwezor, Okwui, and Octavio Zaya. “Trade Routes: History and Geography.” Second Johannesburg Biennale (Fall 1997), pp. 180–81.
Heinick, Angelika. “Kleid, rührendstes aller Symbole.” Frankfurter Allgemeine Zeitung, April 19, 1997, p. 91.
Horodner, Stuart, ed. “Frankenstein.” New Observations 114 (Spring 1997), p. 28.
Johnson, Ken. “Rona Pondick.” New York Times, October 3, 1997, p. E35.
Koplos, Janet. “Art on Stage.” Art in America (September 1997), pp. 51–55.
Kuspit, Donald. “The Problem of the Jewish-American Artist.” New Art Examiner (April 1997), pp. 30–35.
Picasso, Sydney. “Visions d’artistes.” Vogue (Paris) 775 (March 1997), pp. 16–19.
Schor, Mira. Wet: On Painting, Feminism, and Art Culture (Durham, N.C.: Duke University Press, 1997), pp. 194, 225 n.13.
Shottenkirk, Dena. “body language.” World Art 12 (1997), pp. 35–39.
St. Sauveur, Michele. “Embedded Metaphor.” New Art Examiner (March 1997), p. 43.
Zimmer, Elizabeth. “It’s Genius! Artists Cheer the Best of the Year.” Village Voice, January 7, 1997, p. 26.
1996 Boodro, Michael. “Biting Wit.” Vogue (December 1996), p. 204.
Gill, Sharon. Outer Layer. Exh. cat. (Summit, N.J.: New Jersey Center for Visual Arts, 1996), pp. 2–3.
Glueck, Grace. “Menorah by Chanel, Barbie as Shiksa-Goddess.” New York Observer, March 25, 1996, p. 21.
Goodeve, Thyrza Nichols. “Artists in Action: Finding a New Frame for Performance.” Next Wave Magazine, Brooklyn Academy of Music (Fall 1996), pp. 66–68.
Jones, Amelia. Sexual Politics: Feminist Strategies, Feminist Conflicts, Feminist Histories. Exh. cat. (Los Angeles: UCLA at the Armand Hammer Museum of Art and Cultural Center, 1996), pp. 27, 257.
Kleeblatt, Norman. Too Jewish? Challenging Traditional Identities. Exh. cat. (New Brunswick, N.J.: New Jewish Museum and Rutgers University Press, 1996), pp. 18, 19, 145.
Kotik, Charlotta. Mine. Exh. broch. (Brooklyn, N.Y.:Brooklyn Museum of Art, 1996).
McQuaid, Cate. “Turning a Worldly Eye on Innocence.” Boston Globe, February 22, 1996, p. 74.
Melrod, George. “Openings.” Art and Antiques (February 1996), p. 26.
Pagel, David. “Pleasure and Pain.” Los Angeles Times, April 25, 1996, p. F11.
Pedersen, Victoria. “Gallery Go Round.” Paper (December 1996), p. 140.
Temin, Christine. “Just Can’t Stop That Pop.” Boston Globe, November 13, 1996, pp. F1, F4.
1995 Benvenuto, Christine. “Mixing It Up.” Amherst Bulletin, February 24, 1995.
Cork, Richard. “Objects of Obscure Desire.” Times, May 16, 1995, p. 1.
Feinberg, Jean E. New Art 4: A Conversation Between Rona Pondick and Jean Feinberg. Exh. broch. (Cincinnati, Ohio: Cincinnati Art Museum, 1995).
Fineberg, Jonathon. Art Since 1940: Strategies of Being (Englewood Cliffs, N.J.: Prentice Hall, 1995), p. 467.
Hagen, Charles. “Inside Out.” New York Times, June 14, 1995, p. C16.
Hapgood, Susan, Suzanne Ramljak, and Ann Wilson Lloyd. Object Lessons. Exh. cat. (Boston: Massachusetts College of Art, 1995).
Harris, Susan. “New York.” Art Press (July–August 1995), p. 11.
Levin, Kim. “Bemerkungen zu einem Dialog der Kulturen.” Configura 2. Exh. cat.(Erfurt, Germany: Configura 2; Dialog der Kulturen, 1995), pp. 31–36.
Levin, Kim. Voice Choice.” Village Voice, April 25, 1995, p. C2.
Lippard, Lucy R. The Pink Glass Swan: Selected Feminist Essays on Art (New York: New Press, 1995), pp. 16–17.
Malbert, Roger. “Fetish and Form in Contemporary Art.” Fetishism. Exh. cat. (London: South Bank Centre in association with Lord Humphries Publishers, 1995), p. 116, pl. 28.
Maxwell, Douglas F. Inside Out. Exh. cat. (Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1995), pp. 9–10, 66–67.
McQuaid, Cate. “The Ways of All Flesh.” Boston Phoenix, February 3, 1995, pp. 1–2.
Murdoch, Sadie. “New York in Brief.” Women’s Art Magazine (July/August 1995), pp. 3, 5, 18–21.
Nixon, Mignon. “Bad Enough Mother.” October (Winter 1995), pp. 71–92.
Porat, Joan. “Pondick’s Sculptures at CAM Ask Viewers to Complete the Picture.” American Israelite, June 15, 1995, p. B6.
Ratcliff, Jonathon. “Absolutely Imperfect.” Daily Hampshire Gazette, February 25–26, 1995.
Riddell, Jennifer L. “The Abject Object.” New Art Examiner (October 1995), pp. 26–31, 53.
Russell, Gloria. “‘Imperfect’ Show Features Flawless Perceptions.” Springfield Sunday Republican, March 5, 1995, p. F2.
Sherman, Mary. “Female Artists Express Their Gender.” Boston Herald, January 25, 1995, p. 46.
Shottenkirk, Dena. “New York in Brief.” C Magazine (Summer 1995), p. 39.
Stapen, Nancy. “Feminine Dialogues: A Tempest from Oppenheim’s Teacup.” Boston Sunday Globe, January 29, 1995.
Stein, Jerry. “Body by Pondick.” Cincinnati Post, April 6, 1995, pp. 2B, 3B.
Stuart, Elizabeth. “Musings.” The Muse: Transforming the Image of Woman in Contemporary Art. Exh. cat. (Paris and Salzburg: Galerie Thaddaeus Ropac and Salzburg Festival, 1995), pp. 8, 117–20, 169.
Watkins, Eileen. “Watch and Wear: Clothing as Visual Art.” Sunday Star Ledger, December 17, 1995, sec. 4, p. 14.
Watson, Bruce. “The Real World Lives of Artists.” Daily Hampshire Gazette, February 21, 1995.
Wilson, Elizabeth. “Strange Objects of Desire.” Independent, May 30, 1995, p. 21.
1994 Drohojowska-Philip, Hunter. “And When They Were Bad. . . . ” Los Angeles Times, January 16, 1994, p. 4.
Gargiulo, Thomas. “In the Lineage of Eva Hesse.” Art New England (October/November 1994), pp. 46–47.
Hess, Elizabeth. In the Lineage of Eva Hesse, Blood Sisters. Exh. cat. (Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1994), pp. 5–8, 64–66.
Kuspit, Donald. “The Decline, Fall and Magical Resurrection of the Body.” Sculpture (May/June 1994), pp. 20–31.
Myers, Terry R. Object Bodies. Exh. cat. (Greencastle, Ind.: Depauw University, 1994), pp. 5, 18.
Myers, Terry R. “Rona Pondick: What Happened?” Galeries (February–March 1994), p. 106.
Pohlen, Annelie. Uber Leben. Exh. cat. (Bonn, Germany: Bonner Kunstverein, 1994),  pp. 32–34, 38, 94–95.
Smith, Roberta. “Sculptors in the Shadow of a Minimalist Master.” New York Times, March 18, 1994, p. C21.
Smith, Roberta. “Body of Evidence.” Vogue (August 1994), pp. 150, 152, 154.
Stapen, Nancy. “Rona Pondick at Howard Yezerski.” Art News (March 1994), p. 145.
Tucker, Marcia, and Marcia Tanner. Bad Girls. Exh. cat. (New York: New Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1994), pp. 88, 123.
Wilson, Mark. “Het liminale lichaam. De beelden van Rona Pondick.” Metropolis M (August 1994), pp. 32–33.
Zaya, Octavio. “I Can Express It Any Way I Want: An Interview with Rona Pondick.” Atlántica Internacional Revista de las Artes (February 1994), pp. 17–23, 124–28.
1993 Fujimori, Minami. “From New York.” Bijitsu Techo (August 1993), pp. 126–27.
Hagen, Charles. “In Connecticut: Clothes.” New York Times, July 23, 1993, p. C25.
Hess, Elizabeth. “Indecent Exposure.” Village Voice, January 12, 1993, pp. 83–84.
Hess, Elizabeth. “Basic Instincts.” Village Voice, June 1, 1993, p. 83.
Hirsch, Faye. “Rona Pondick.” Art in America (November 1993), p. 126.
Levin, Kim. “Voice Choices.” Village Voice, May 25, 1993, p. 67.
Knight, Christopher. “Faceless Critics, Harmless Art.” Los Angeles Times, January 24, 1993, pp. 90–91.
Mahoney, Robert. “Rona Pondick.” C Magazine (Fall 1993), p. 77.
Pinchbeck, Daniel. “Openings: Rona Pondick.” Art and Antiques (May 1993), p. 22.
Saltz, Jerry. “Critics Diary, Mayday, Mayday, Mayday.” Art in America (September 1993), pp. 41–45.
Seward, Keith. “Rona Pondick.” Artforum (November 1993), pp. 106–07.
Silver, Joanne. “Startling Works Evoke Buried Memories.” Boston Herald, October 29, 1993, p. S25.
Smith, Roberta. “A Remembrance of Whitney Biennials Past.” New York Times, February 18, 1993, p. 31.
Smith, Roberta. “Examining Culture Through Its Castoffs.” New York Times, November 28, 1994, pp. 39, 44.
Stapen, Nancy. “Translating Experience: Art of Words and Spirit.” Boston Globe, October 21, 1993, p. 73.
Zimmer, William. “Yale Celebrates Its Artists and Its Collectors Since 1950.” New York Times, June 27, 1993, p. C14.
1992 Adrenne, Paul. “Rona Pondick at Galerie Thaddeaus Ropac.” art press 172 (September 1992), p. 73.
Aya and Gal. “Something That Only Women Have.” Jerusalem Voice, November 11, 1992, p. 38.
Cameron, Dan. “The Changing Tide.” Art and Auction (January 1992), pp. 50–54.
Cameron, Dan. “Don’t Look Now.” Frieze 3 (January 1992), pp. 4–8.
Coller, Barbara. The Edge of Childhood. Exh. cat. (Huntington, N.Y.: Heckscher Museum, 1992), p. 20.
Curtis, Cathy. “Strange Bedfellows at Cal State Fullerton.” Los Angeles Times, September 21, 1992, pp. F2–F5.
Golan, Yehuda. “Rona Pondick.” Ma’ariv, November 9, 1992, p. 62.
Heinick, Angelika. “Skandal um Rona.” Frankfurter Allgemeine Zeitung, June 27, 1992, pp. 33–34.
Hess, Elizabeth. “Dirty Laundry.” Village Voice, May 12, 1992, p. 91.
Hills, Patricia. “The Naked Body, Censorship and the NEA.” Art New England (August/September 1992), pp. 14–16.
Kalin, Tom. “Plastic Fantastic Lover (Object A).” Artforum (January 1992), p. 102.
Kuspit, Donald. “Images of an Innocence That Never Was.” The Edge of Childhood. Exh. cat. (Huntington, N.Y.: Heckscher Museum, 1992), p. 27, pls. 15, 16.
Landau, Suzanne. Pink and Brown. Exh. cat. (Jerusalem: Israel Museum, 1992).
McCracken, David. “Power Play.” Chicago Tribune, February 14, 1992, sec. 7, p. 72.
Mesch, Claudia. “Power Play.” New Art Examiner (September 1992), pp. 33–34.
Myers, Terry R. “Abstraction Gets a Life.” Tema Celeste (Summer 1992), p. 82.
Quinn, Michael. “Rock to Rescue.” Time, June 1, 1992, p. 89.
Schwabsky, Barry. “Shamelessness.” Sculpture (July–August 1992), pp. 44–51.
Seward, Keith. “Psycho.” Artforum (September 1992), pp. 106–07.
Shefi, Smadar. “Men’s Shoes and Pink Lace.” Ha’aretz, November 11, 1992.
Smith, Roberta. “Women Artists Engage the Enemy.” New York Times, August 16, 1992, sec. 2, pp. 1, 23.
Spector, Buzz. “View to a Room.” Bedroom Eyes: Room with a View. Exh. cat. (Fullerton: Fullerton Art Gallery, California State University, 1992), p. 17.
Sperling, Tamira. “Exhibit Challenges Sexual Stereotypes.” Art and Performance, February 14, 1992, p. 5.
Watten, Barrette. “A Condition of Loss: ‘Childhood Revisited’ at Rena Bransten Gallery.” Artweek, January 9, 1992, p. 12.
Watts, Tricia. Bedroom Eyes: Room with a View. Exh. cat. (Fullerton: Fullerton Art Gallery, California State University, 1992), p. 11.
Western, Mirjam. “Verlichting of Vernietiging?” HN Magazine (October 1992).
1991 Armstrong, Richard, John Hanhardt, Richard Marshall, and Lisa Phillips. 1991 Biennial Exhibition. Exh. cat. (New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1991), pp. 210–13.
Boschman, Hells. “Baby und Bottles. Frauen im Aufwind.” Die Welt/Hamburg (July 1991).
Brenson, Michael. “Foot and Mouth.” New York Times, May 3, 1991, p. C19.
Cameron, Dan. Just What Is It That Makes Today’s Homes So Different, So Appealing?. Exh. cat. (Glens Falls, N.Y.: Hyde Collection, 1991), p. 15.
D’Amato, Brian. “Rona Pondick.” Flash Art (November/December 1991), p. 134.
Flam, Jack. “Pluralistic and Perky.” Wall Street Journal, May 22, 1991.
Heartney, Eleanor. “The Whitney Biennial.” Art News (Summer 1991), pp. 143–44.
Hess, Elizabeth. “Nasty Girl.” Village Voice, May 7, 1991, p. 85.
Johnson, Ken. “Generational Saga, The Whitney Biennial.” Art in America (June 1991), pp. 44–51.
Leigh, Christian. Dark of Heartness: Rona Pondick’s “Scrap” and Other Symbolisms. Exh. cat. (Glenside, Penn.: Beaver College Art Gallery, 1991).
Leigh, Christian. “The 1991 Whitney Biennial.” Flash Art (Summer 1991), p. 161.
Levin, Kim. “Voice Choices: Foot and Mouth.” Village Voice, May 3, 1991, p. 9.
Levin, Kim. “Voice Choice: Plastic Fantastic Lover (Object A).” Village Voice, November 5, 1991.
Mahoney, Robert. “Vertigo.” Contemporanea (January 1991), p. 104.
Myers, Terry R. “Having a Ball, Wish You Were Here.” LAPIZ International Art Magazine 80 (October 1991), pp. 76–78.
Neff, Eileen. “Rona Pondick.” Artforum (September 1991), p. 133.
Pagel, David. “Guilt, Innocence Entangle in Pondick’s ‘Heads.’” Los Angeles Times, November 21, 1991, p. F3.
Saltz, Jerry. “The Living Dead Life of the Body: The Sculpture of Rona Pondick.” Balcon 7 (Winter 1991), pp. 79–92.
Schor, Mira. “You Can’t Leave Home Without It.” Artforum (October 1991), pp. 114–19.
Smith, Roberta. “Plastic Fantastic Lover (Object A).” New York Times, November 1, 1991, p. C16.
Sovanski, Edward J. “Art That Shocks by Its Treatment of the Mundane.” Philadelphia Inquirer, February 14, 1991, p. 5D.
Tanaka, Hiroko. “Art in New York.” hifashion (August 1991), pp. 162–63.
Yau, John. “‘Rope,’ Colgados de Hitchcock.” Guía del Ocio 80 (June 7, 1991).
Zaya, Octavio. “Revisión y conseno Bienal 91.” Diario 16, May 11, 1991, pp. 4–5.
1990 Altshuler, Bruce. “Collector on the Couch.” Art Issues (February 1990), pp. 21–22.
Anderson, Michael. “mamamamama.” Art Issues (September/October 1990), p. 33.
Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporanea (September 1990), pp. 66–73.
Humphrey, David. “Hair Piece.” Art Issues (February 1990), pp. 17–20.
Kandel, Susan. “L.A. in Review.” Arts Magazine (September 1990), p. 107.
Myers, Terry R. “Pressing Pleasures: The Urgent Sculptures of Rona Pondick.” Arts Magazine (November 1990), pp. 90–95.
Pagel, David. “mamamamama.” Artscribe (September/October 1990), pp. 91–92.
Princenthal, Nancy. “Rona Pondick.” Art in America (January 1990), pp. 157–59.
Wilson, William. “mamamamama.” Los Angeles Times, June 1, 1990, p. F15.
Yau, John. Diverse Representations 1990. Exh. cat. (Morristown, N.J.: Morris Museum, 1990), pp. 9, 36–37.
Zimmer, William. “Sculpture by Novel Means.” New York Times, November 4, 1990, p. 22.
1989 Braff, Phyllis. “Ideas and Form on the Edge.” New York Times, May 7, 1989.
Bonetti, David. “ICA Gets Current Again.” Boston Phoenix, March 9, 1989, pp. 7, 19.
Brenson, Michael. “A Show’s Instructive Provocation.” New York Times, March 17, 1989, p. C28.
Fox, Catherine. “Provocative Sculpture Explores Egos.” Atlanta Journal, June 1, 1989, p. C3.
Gookin, Kirby. Bed Milk Shoe. Exh. cat. (New York: fiction/nonfiction, 1989).
Hess, Elizabeth. “Voice Choices: Bed Milk Shoe.” Village Voice, October 24, 1989, p. 50.
Hirsch, David. “X-Rated Summer Tensions.” New York Native, July 17, 1989, pp. 34–35.
Joselit, David. Currents: Rona Pondick. Exh. broch. (Boston: Institute of Contemporary Art, 1989).
Levin, Kim. “Voice Choices: ‘Erotophobia.’” Village Voice, July 18, 1989, p. 52.
Liu, Catherine. “Another Voice: Let’s Get Real.” Village Voice, August 1, 1989, p. 90.
Mahoney, Robert. “Bed Milk Shoe.” Arts Magazine (December 1989), p. 92.
Spector, Buzz. “A Profusion of Substance.” Artforum (October 1989), pp. 120–28.
Stapen, Nancy. “Body and Soul.” Boston Herald, February 10, 1989, pp. S17, S19.
Temin, Christine. “Unpleasant Art Without a Point.” Boston Globe, February 10, 1989, p. 46.
Wagner, Judy Collischan van. Lines of Vision: Drawings by Contemporary Women. Exh. cat. (New York: Hudson Hills Press, 1989), pp. 113, 166.
1988 Altshuler, Bruce. “Rona Pondick: Sculpture and Installation.” Beds. Exh. cat. (New York: Sculpture Center, 1988).
Baker, Kenneth. “Impressions of the Future.” Collaborations in Monotype, 1988–89. Exh. cat. (Santa Barbara, Calif.: University Art Museum, 1988), pp. 44–45.
Barasch, Amy. “New This Week.” Seven Days, September 24, 1988, p. 54.
Brenson, Michael. “Rona Pondick.” New York Times, May 20, 1988, p. C28.
Brenson, Michael. “Rona Pondick—Beds.” New York Times, September 9, 1988, p. C20.
Connor, Maureen. “Rona Pondick.” Arts Magazine (May 1988), p. 84.
Gookin, Kirby. “Rona Pondick.” Artforum (December 1988), p. 120.
Hess, Elizabeth. “Ladies’ Room.” Village Voice, May 24, 1988, p. 109.
Hinders, Margaret. “Soiled Sheets.” 108: Review (May/June 1988), pp. 4–5.
Hullenkremer, Marie. “Berge, die ihre Form verandern.” Kölner Stadt-Anzeiger, May 4, 1988, p. 29.
Kramer, Hilton. “Femininity as ‘Masquerade’ Show.” New York Observer, October 3, 1988, pp. 1, 12.
Levin, Kim. “Voice Choices.” Village Voice, October 4, 1988, p. 64.
Myers, Terry R. “Rona Pondick.” Arts Magazine (December 1988), p. 89.
Peckham, Virginia. New Artists/New Drawing. Exh. cat. (New London, Conn.: Lyman Allyn Museum, 1988).
Plous, Phyllis. “Monotype Today.” Collaborations in Monotype, 1988–89. Exh. cat. (Santa Barbara, Calif.: University Art Museum, 1988), pp. 13–17.
Raap, Jurgen. “The Other New York.” Kunstforum (July 1988), pp. 295–97.
Trippi, Laura. Girls Night Out: Femininity as Masquerade. Exh. broch. (New York: New Museum for Contemporary Art, 1988).
1987 Brenson, Michael. “Peter Flaccus, Helen Miranda Wilson, and Rona Pondick.” New York Times, July 23, 1987, p. C23.
Cohen, Ronny. “New Abstraction.” Print Collector’s Newsletter 17, no. 1 (1987), pp. 12–14.
1986 Brenson, Michael. “Emerging Sculptors: 1986.” New York Times, December 26, 1986, p. C30.
Kingsley, April. “Highly Specific Objects.” Emerging Sculptors: 1986. Exh. cat. (New York: Sculpture Center, 1986), pp. 4, 10, 11.
1985 Watkins, Eileen. “Jersey City Museum Explores Modern Mystery.” Sunday Star-Ledger, May 26, 1985, p. E45.
1984 Raynor, Vivien. “Exceptional and New.” New York Times, July 13, 1984, p. C30.